<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-11386186</id><updated>2011-07-07T13:06:13.633-07:00</updated><title type='text'>Ministry of Noise</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://ministryofnoise.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://ministryofnoise.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>GHOSTLIFE</name><uri>http://www.blogger.com/profile/16444472679352809989</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://img.photobucket.com/albums/v450/neonair/backbay.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-11386186.post-111368864929526656</id><published>2008-03-02T14:44:00.000-08:00</published><updated>2009-06-07T20:49:11.459-07:00</updated><title type='text'>Shows i've seen and ticket stubs!</title><content type='html'>&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled18.jpg"&gt;&lt;br /&gt;&lt;br /&gt;??&lt;br /&gt;Carcass &lt;br /&gt;Pitch Sifter   &lt;br /&gt;Tranquil  Passing &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence &lt;/span&gt; &lt;br /&gt;   &lt;br /&gt;??&lt;br /&gt;Shonen Knife &lt;br /&gt;The Dentists&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt;   &lt;br /&gt;   &lt;br /&gt;29-Apr-94&lt;br /&gt;The Charlatans &lt;br /&gt;Queen Sarah Saturday &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;??&lt;br /&gt;Primus &lt;br /&gt;Melvins&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Orpehum Boston&lt;/span&gt;   &lt;br /&gt;   &lt;br /&gt;11-Nov-93&lt;br /&gt;Björk &lt;br /&gt;Ultramarine&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;   &lt;br /&gt;   &lt;br /&gt;10-Feb-94&lt;br /&gt;James &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt; &lt;br /&gt;   &lt;br /&gt;8-May-94&lt;br /&gt;James &lt;br /&gt;Tribe (last show)   &lt;br /&gt;The Indians &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Orpheum Boston&lt;/span&gt; &lt;br /&gt; &lt;br /&gt;??   &lt;br /&gt;Tree &lt;br /&gt;Blank   &lt;br /&gt;Toetag   &lt;br /&gt;A.M.N. &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;South Plymouth High School Plymouth&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;??   &lt;br /&gt;Smashing Pumpkins &lt;br /&gt;Red Red Meat   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Wallace Civic Center Fitchburg&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;12-May-94   &lt;br /&gt;Rollins Band &lt;br /&gt;Therapy? &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;17-Jun-94   &lt;br /&gt;Lush &lt;br /&gt;Mistle Thrush   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Local 186 Allston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled17.jpg"&gt; &lt;br /&gt;  &lt;br /&gt;16-Aug-94&lt;br /&gt;Lush &lt;br /&gt;Weezer   &lt;br /&gt;Thornberry&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;   &lt;br /&gt;   &lt;br /&gt;17-Aug-94&lt;br /&gt;Lush  &lt;br /&gt;Weezer   &lt;br /&gt;Live &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Rocky Point Warwick&lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;12-Aug-94&lt;br /&gt;Luna &lt;br /&gt;Small Factory  &lt;br /&gt;Blueshift Signal   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence &lt;/span&gt; &lt;br /&gt;&lt;br /&gt;17-Jul-93 &lt;br /&gt;Rage Against the Machine &lt;br /&gt;Arrested Development   &lt;br /&gt;Tool   &lt;br /&gt;Dinosaur Jr   &lt;br /&gt;Alice in Chains   &lt;br /&gt;Front 242   &lt;br /&gt;Fishbone   &lt;br /&gt;Primus &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Quonset Airport N. Kingstown &lt;/span&gt; &lt;br /&gt;&lt;br /&gt;3-Aug-94   &lt;br /&gt;A Tribe Called Quest &lt;br /&gt;The Breeders   &lt;br /&gt;George Clinton and the    &lt;br /&gt;          P-Funk All-Stars   &lt;br /&gt;Beastie Boys   &lt;br /&gt;Smashing Pumpkins   &lt;br /&gt;Boredoms   &lt;br /&gt;The Flaming Lips &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Quonset Airport N. Kingstown &lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled16.jpg"&gt;&lt;br /&gt;   &lt;br /&gt;??&lt;br /&gt;Disgorge &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Approach Cape Cod&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;9-Sep-94   &lt;br /&gt;Dinosaur Jr &lt;br /&gt;Chavez   &lt;br /&gt;One Ton Shotgun   &lt;br /&gt;Combustible Edison &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;22-Sep-95   &lt;br /&gt;Hole &lt;br /&gt;MC 900 Foot Jesus   &lt;br /&gt;Consolidated   &lt;br /&gt;Stabbing Westward&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;   &lt;br /&gt;&lt;br /&gt;26-Oct-94   &lt;br /&gt;Blueshift Signal &lt;br /&gt;Blair's Carriage &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;16-Nov-94   &lt;br /&gt;Velocity Girl &lt;br /&gt;Walt Mink&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt; &lt;br /&gt;  &lt;br /&gt;4-Dec-94   &lt;br /&gt;Hole &lt;br /&gt;Helium   &lt;br /&gt;Milk Money &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Orpheum Boston&lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;??   &lt;br /&gt;Blueshift Signal &lt;br /&gt;Cedarchest   &lt;br /&gt;Wedgehead &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled15.jpg"&gt;&lt;br /&gt;  &lt;br /&gt;10-Feb-95   &lt;br /&gt;They Might Be Giants &lt;br /&gt;Chris Stamely &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence &lt;/span&gt; &lt;br /&gt;   &lt;br /&gt;7-Feb-95&lt;br /&gt;Cranes  &lt;br /&gt;Idaho &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence &lt;/span&gt; &lt;br /&gt;&lt;br /&gt;11-Feb-95   &lt;br /&gt;J Mascis &lt;br /&gt;Zeke Fidler   &lt;br /&gt;Chick (from Scarce) &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;??   &lt;br /&gt;Janet LaValley &lt;br /&gt;Bill Keough Experience   &lt;br /&gt;Blueshift Signal&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt;   &lt;br /&gt;&lt;br /&gt;??   &lt;br /&gt;Small Factory &lt;br /&gt;Blair's Carriage   &lt;br /&gt;The Mitchells   &lt;br /&gt;Hock &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;??&lt;br /&gt;Alley Sway &lt;br /&gt;T Minus 0  &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt; &lt;br /&gt;   &lt;br /&gt;10-Mar-95&lt;br /&gt;Oasis &lt;br /&gt;Velvet Crush   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;??   &lt;br /&gt;Veruca Salt &lt;br /&gt;Hazel   &lt;br /&gt;Squash Blossom &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;??   &lt;br /&gt;Blueshift Signal &lt;br /&gt;The Means   &lt;br /&gt;Dante's Grin &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled14.jpg"&gt; &lt;br /&gt;&lt;br /&gt;??   &lt;br /&gt;Blueshift Signal &lt;br /&gt;Curtain Society   &lt;br /&gt;The Means   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Rock Newport&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;4-Apr-95   &lt;br /&gt;Letters to Cleo &lt;br /&gt;Catherine   &lt;br /&gt;The Curtain Society   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;??   &lt;br /&gt;Forbidden &lt;br /&gt;Anal Cunt &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;??&lt;br /&gt;Janet LaValley &lt;br /&gt;Blair's Carriage   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;??   &lt;br /&gt;Blueshift Signal &lt;br /&gt;For Squirrels   &lt;br /&gt;Curtain Society   &lt;br /&gt;Mistle Thrush   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;27-Apr-95&lt;br /&gt;Siouxsie and the Banshees &lt;br /&gt;Spiritualized   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Orpheum Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled13.jpg"&gt;&lt;br /&gt;   &lt;br /&gt;29-Apr-95&lt;br /&gt;Mike Watt &lt;br /&gt;(w/Eddie Vedder, Pat Smear   &lt;br /&gt;and David Grohl)   &lt;br /&gt;Foo Fighters (1st tour)   &lt;br /&gt;Hovercraft&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;    &lt;br /&gt;??   &lt;br /&gt;Velocity Girl &lt;br /&gt;Tuscadero   &lt;br /&gt;Zumpano   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;??&lt;br /&gt;Pyrexia &lt;br /&gt;Scattered Remnants   &lt;br /&gt;Facial Defecation   &lt;br /&gt;Exhumed   &lt;br /&gt;Perpetual Doom&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Rock Newport&lt;/span&gt;   &lt;br /&gt;   &lt;br /&gt;5-Nov-94&lt;br /&gt;The Cranberries &lt;br /&gt;Grant Lee Buffalo&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Strand Providence&lt;/span&gt;   &lt;br /&gt;   &lt;br /&gt;22-May-95&lt;br /&gt;Purple Ivy Shadows &lt;br /&gt;Flora Street   &lt;br /&gt;Radio to Saturn   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;23-May-95   &lt;br /&gt;The Wolfgang Press &lt;br /&gt;Suddenly, Tammy!   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;24-May-95  &lt;br /&gt;The Muffs &lt;br /&gt;Alley Sway&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;26-May-95   &lt;br /&gt;Throwing Muses &lt;br /&gt;Joey Sweeney   &lt;br /&gt;The Bill Keough Experience&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;   &lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled12.jpg"&gt;&lt;br /&gt;   &lt;br /&gt;31-May-95&lt;br /&gt;Blueshift Signal &lt;br /&gt;Where I Wake Warm&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;TT the Bear's Cambridge&lt;/span&gt;   &lt;br /&gt;   &lt;br /&gt;4-Jun-95&lt;br /&gt;These Animal Men&lt;br /&gt;Delta Clutch   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;6-Jun-95   &lt;br /&gt;Ivy &lt;br /&gt;Melissa Ferrick   &lt;br /&gt;Stellar Pop Combo   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt; &lt;br /&gt;   &lt;br /&gt;20-Jun-95&lt;br /&gt;Guided by Voices &lt;br /&gt;Mary Lou Lord   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;30-Jun-95&lt;br /&gt;Small Factory &lt;br /&gt;Versus   &lt;br /&gt;The Non-Paraelians&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;8-Jul-95   &lt;br /&gt;Opium Den &lt;br /&gt;World Seed   &lt;br /&gt;Siddal   &lt;br /&gt;Incus   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;TT the Bear's Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1-Aug-95   &lt;br /&gt;Morbid Angel &lt;br /&gt;Grip, Inc.   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;3-Aug-95   &lt;br /&gt;Peter Murphy &lt;br /&gt;Jewel   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled11.jpg"&gt;&lt;br /&gt;&lt;br /&gt;4-Aug-95 &lt;br /&gt;Drugstore &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;4-Aug-95   &lt;br /&gt;God Lives Underwater (Sextacy Ball)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Strand Providence &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;12-Aug-95   &lt;br /&gt;Björk&lt;br /&gt;The Aphex Twin   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;18-Aug-95   &lt;br /&gt;Blueshift Signal &lt;br /&gt;Alley Sway   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Rocky Point Warwick&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;31-Aug-95&lt;br /&gt;Siddal &lt;br /&gt;Zutrau &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;TT the Bear's Cambridge&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;9-Sep-95   &lt;br /&gt;Supergrass &lt;br /&gt;Quivver   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;14-Sep-95   &lt;br /&gt;Tricky &lt;br /&gt;Laika   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;22-Sep-95   &lt;br /&gt;Supergrass  &lt;br /&gt;Shudder To Think   &lt;br /&gt;Eve's Plumb   &lt;br /&gt;Smoking Popes&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston &lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;27-Sep-95&lt;br /&gt;Blueshift Signal &lt;br /&gt;The Means   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled10.jpg"&gt;&lt;br /&gt;   &lt;br /&gt;28-Sep-95&lt;br /&gt;Blur &lt;br /&gt;Whale&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;8-Oct-95   &lt;br /&gt;Grief &lt;br /&gt;Infestation   &lt;br /&gt;Nightstick   &lt;br /&gt;Abstract Psychology   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Upstairs Cambridge &lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;13-Oct-95&lt;br /&gt;Oasis &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Tuxedo Junction Danbury, CT &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;14-Oct-95   &lt;br /&gt;Oasis &lt;br /&gt;Acetone&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Orpheum Boston &lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;19-Oct-95   &lt;br /&gt;Difference Engine &lt;br /&gt;Dirt Merchants   &lt;br /&gt;Flora Street &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;16-Nov-95   &lt;br /&gt;Björk&lt;br /&gt;Goldie&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Strand Providence &lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;17-Nov-95&lt;br /&gt;Combustible Edison &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;24-Nov-95 &lt;br /&gt;Electrafixion &lt;br /&gt;Echobelly   &lt;br /&gt;Dandy Warhols &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;25-Nov-95   &lt;br /&gt;Electrafixion &lt;br /&gt;Echobelly   &lt;br /&gt;Dandy Warhols   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;1-Dec-95&lt;br /&gt;Siddal &lt;br /&gt;An April March   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Upstairs Cambridge &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;8-Dec-95&lt;br /&gt;The Godrays &lt;br /&gt;Edsel   &lt;br /&gt;Difference Engine&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled9.jpg"&gt;&lt;br /&gt;   &lt;br /&gt;19-Jan-96   &lt;br /&gt;Helium &lt;br /&gt;Railroad Jerk   &lt;br /&gt;Arab on Radar &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;20-Jan-96   &lt;br /&gt;Helium &lt;br /&gt;Railroad Jerk   &lt;br /&gt;Guv'ner&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;3-Feb-96   &lt;br /&gt;Mistle Thrush &lt;br /&gt;Mile Wide   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;11-Feb-96&lt;br /&gt;Blur &lt;br /&gt;The Elevator Drops   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;3-Mar-96   &lt;br /&gt;Mistle Thrush &lt;br /&gt;Siddal   &lt;br /&gt;Underflowers  &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;10-Mar-96   &lt;br /&gt;Oasis &lt;br /&gt;Agona Hardison   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Strand Providence &lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;17-Mar-96&lt;br /&gt;The Wedding Present &lt;br /&gt;Butterglory   &lt;br /&gt;Alley Sway   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;11-Apr-96  &lt;br /&gt;Echobelly &lt;br /&gt;Superdrag &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;13-Apr-96   &lt;br /&gt;Mistle Thrush &lt;br /&gt;Big Monster Fish Hook   &lt;br /&gt;Fidel   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Club Babyhead Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;27-Apr-96&lt;br /&gt;Cibo Mato &lt;br /&gt;Skeleton Key&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence &lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled8.jpg"&gt; &lt;br /&gt;   &lt;br /&gt;29-Apr-96&lt;br /&gt;Lush &lt;br /&gt;Mojave 3   &lt;br /&gt;Scheer&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;30-Apr-96   &lt;br /&gt;Lush &lt;br /&gt;Mojave 3   &lt;br /&gt;Scheer&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;   &lt;br /&gt;   &lt;br /&gt;12-May-96&lt;br /&gt;Mistle Thrush &lt;br /&gt;Big Monster Fish Hook   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge &lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;17-May-96&lt;br /&gt;Stereolab &lt;br /&gt;King Kong &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence &lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;6-Jun-96&lt;br /&gt;Lush &lt;br /&gt;Johnny Bravo   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Waterplace Park Providence&lt;/span&gt;   &lt;br /&gt;&lt;br /&gt;7-Jun-96&lt;br /&gt;Pulp &lt;br /&gt;Jonathan Fire Eater   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence &lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;10-Jun-96&lt;br /&gt;Cocteau Twins &lt;br /&gt;Spain   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;28-Jun-96   &lt;br /&gt;His Name Is Alive &lt;br /&gt;AMP   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Hope and Anchor Islington, London &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;2-Jul-96   &lt;br /&gt;The Cure &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Centrum Worcester&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;17-Jul-96&lt;br /&gt;Imperial Drag &lt;br /&gt;Super-Deluxe   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;19-Jul-96&lt;br /&gt;Dean Can Dance&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Harborlights Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;10-Aug-96   &lt;br /&gt;Throwing Muses &lt;br /&gt;Delta Clutch   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled7.jpg"&gt;&lt;br /&gt;   &lt;br /&gt;23-Aug-96&lt;br /&gt;Spiritualized &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;25-Aug-96   &lt;br /&gt;Blueshift Signal &lt;br /&gt;Mold   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;29-Aug-96&lt;br /&gt;Lush &lt;br /&gt;Eels   &lt;br /&gt;Muzzle&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Toad's Place New Haven  &lt;/span&gt; &lt;br /&gt; &lt;br /&gt;8-Sep-96  &lt;br /&gt;Smashing Pumpkins &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Providence Civic Center Providence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;21-Sep-96   &lt;br /&gt;Helium &lt;br /&gt;Syrup USA   &lt;br /&gt;Invisible Cowboys&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence &lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;2-Nov-96&lt;br /&gt;Siddal &lt;br /&gt;An April March    &lt;br /&gt;Viola Peacock   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Upstairs Cambridge&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;15-Nov-96&lt;br /&gt;The Ocean Blue &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16-Feb-97   &lt;br /&gt;Throwing Muses &lt;br /&gt;Joyce Raskin   &lt;br /&gt;Alley Sway   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;7-Mar-97&lt;br /&gt;Blur &lt;br /&gt;Papas Fritas   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;15-Mar-97   &lt;br /&gt;Cranes &lt;br /&gt;Rasputina&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled6.jpg"&gt;&lt;br /&gt;  &lt;br /&gt;10-May-97   &lt;br /&gt;Polara &lt;br /&gt;Blueshift Signal   &lt;br /&gt;Spindleshanks&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;29-May-97   &lt;br /&gt;Echo and the Bunnymen &lt;br /&gt;Longpigs   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Waterplace Park Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;7-Jun-97&lt;br /&gt;Primus &lt;br /&gt;Blur   &lt;br /&gt;Echo and the Bunnymen   &lt;br /&gt;Matthew Sweet   &lt;br /&gt;Morphine   &lt;br /&gt;Folk Implosion   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Great Woods Mansfield &lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;17-Jun-97&lt;br /&gt;Real World Boston Cast Wrap Party: &lt;br /&gt;Unilever (w/Neil - London)   &lt;br /&gt;Midnight Voices (w/ Mohammed - SF)   &lt;br /&gt;Gigolo Aunts   &lt;br /&gt;Amazing Royal Crowns   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;15-Jul-97   &lt;br /&gt;Swervedriver &lt;br /&gt;Cherry 2000  &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;TT the Bear's Cambridge &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;24-Jul-97&lt;br /&gt;Gus Gus &lt;br /&gt;Lamb   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;28-Jul-97   &lt;br /&gt;Orb &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled5.jpg"&gt;&lt;br /&gt;   &lt;br /&gt;9-Aug-97&lt;br /&gt;Kristin Hersh &lt;br /&gt;Honeybunch   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Call Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;22-Aug-97&lt;br /&gt;Spiritualized &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;23-Aug-97   &lt;br /&gt;Radiohead &lt;br /&gt;Teenage Fanclub   &lt;br /&gt;Dandy Warhols&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Harborlights Boston&lt;/span&gt;   &lt;br /&gt; &lt;br /&gt;29-Aug-97  &lt;br /&gt;Dandy Warhols &lt;br /&gt;Polara   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;TT the Bear's Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;13-Sep-97   &lt;br /&gt;Blur &lt;br /&gt;Dandy Warhols&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Orpheum Boston&lt;/span&gt;   &lt;br /&gt; &lt;br /&gt;26-Sep-97  &lt;br /&gt;Helium &lt;br /&gt;David Kilgour   &lt;br /&gt;Bright &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;29-Sep-97&lt;br /&gt;Charlatans &lt;br /&gt;Dandy Warhols   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;25-Oct-97&lt;br /&gt;Chumbawamba &lt;br /&gt;Hooverphonic&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston &lt;/span&gt;  &lt;br /&gt; &lt;br /&gt;18-Nov-97  &lt;br /&gt;Gus Gus &lt;br /&gt;Cornershop   &lt;br /&gt;Seely   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;29-Nov-97&lt;br /&gt;The Sundays &lt;br /&gt;Garrison Starr&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston &lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled4.jpg"&gt;&lt;br /&gt;   &lt;br /&gt;1-Dec-97&lt;br /&gt;Spiritualized &lt;br /&gt;Acetone   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;6-Dec-97&lt;br /&gt;Helium &lt;br /&gt;Blonde Redhead   &lt;br /&gt;Bermuda&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Century Lounge Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;??   &lt;br /&gt;Mistle Thrush &lt;br /&gt;John St. Porch Band   &lt;br /&gt;Another Girl  &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Century Lounge Providence &lt;/span&gt; &lt;br /&gt;   &lt;br /&gt;14-Mar-98&lt;br /&gt;Portishead &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;EM Loews Palladium Worcester&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;30-Mar-98   &lt;br /&gt;Curve &lt;br /&gt;Freaky Chakra&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston &lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;15-Apr-98&lt;br /&gt;Radiohead &lt;br /&gt;Spiritualized   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Centrum Worcester&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;5-May-98&lt;br /&gt;Kristen Hersh &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Brattle Theater Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16-May-98   &lt;br /&gt;Björk&lt;br /&gt;U-Ziq &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;EM Loews Palladium Worcester&lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;9-Jun-98&lt;br /&gt;Pulp &lt;br /&gt;Ghost of Tony Gold   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;17-Jun-98&lt;br /&gt;Curve &lt;br /&gt;Dandy Warhols   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;20-Jun-98&lt;br /&gt;B-52's &lt;br /&gt;The Pretenders   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Great Woods Mansfield&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled3.jpg"&gt;&lt;br /&gt;&lt;br /&gt;8-Jul-98&lt;br /&gt;Spice Girls &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Great Woods Mansfield &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;17-Jul-98   &lt;br /&gt;Tricky &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Roxy Boston &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;2-Aug-98   &lt;br /&gt;Verve &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Harborlights Boston&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;15-Aug-98   &lt;br /&gt;Overflower &lt;br /&gt;Battery Park&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;AS220 Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;5-Sep-98   &lt;br /&gt;Bauhaus &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Harborlights Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;7-Sep-98   &lt;br /&gt;Nick Cave and the Bad Seeds &lt;br /&gt;Come   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Roxy Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;14-Sep-98   &lt;br /&gt;Mark Kozelek &lt;br /&gt;Weeping in Fits and Stars&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Upstairs Cambridge&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;2-Nov-98   &lt;br /&gt;Lisa Germano &lt;br /&gt;(opening for Eels)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Bill's Bar Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;7-Nov-98   &lt;br /&gt;His Name Is Alive &lt;br /&gt;Godzuki   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Upstairs Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;7-Nov-98   &lt;br /&gt;Swervedriver &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;8-Nov-98   &lt;br /&gt;Swervedriver &lt;br /&gt;Medicine Ball   &lt;br /&gt;Speaker Bite Me (from Denmark)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Met Café Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;17-Nov-98   &lt;br /&gt;Tricky &lt;br /&gt;(w/ Whale - whom I didn’t see)   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence &lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled2.jpg"&gt; &lt;br /&gt;&lt;br /&gt;?-Mar-99&lt;br /&gt;The Make-Up &lt;br /&gt;Question Mark And the Mysterians&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt; &lt;br /&gt;   &lt;br /&gt;1-Apr-99   &lt;br /&gt;Residents &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Copley Theater Boston&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;3-Apr-99   &lt;br /&gt;Residents &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Copley Theater Boston&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;13-Apr-99   &lt;br /&gt;Mojave 3 &lt;br /&gt;(opening for Gomez)   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;   &lt;br /&gt;&lt;br /&gt;16-Apr-99&lt;br /&gt;Lisa Germano &lt;br /&gt;(opening for Latin Playboys)   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1-May-99   &lt;br /&gt;Gus Gus &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;3-May-99   &lt;br /&gt;Gus Gus &lt;br /&gt;Esthero   &lt;br /&gt;DJ J Smooth &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Irving Plaza New York City&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;14-Jul-99   &lt;br /&gt;Thievery Corporation &lt;br /&gt;DJ Alan Strack   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Landsdowne St Playhouse Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;25-Aug-99   &lt;br /&gt;Kristin Hersh &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;13-Oct-99   &lt;br /&gt;Art of Noise &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;14-Oct-99   &lt;br /&gt;Tricky &lt;br /&gt;Stroke &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;5-Nov-99   &lt;br /&gt;Brendan Perry &lt;br /&gt;Kristin Hersh &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled.jpg"&gt;&lt;br /&gt;  &lt;br /&gt;8-Jan-00   &lt;br /&gt;Wharton Tiers Ensemble &lt;br /&gt;Monotract   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Knitting Factory New York City&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;6-May-00&lt;br /&gt;Throwing Muses &lt;br /&gt;Bob Mould   &lt;br /&gt;Lakuna   &lt;br /&gt;Kristin Hersh   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;12-May-00   &lt;br /&gt;Wire &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Roxy Boston&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;15-Jun-00   &lt;br /&gt;Sonic Youth &lt;br /&gt;Stereolab   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;26-Feb-01&lt;br /&gt;Doves &lt;br /&gt;The Strokes&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;18-Jun-01   &lt;br /&gt;Red House Painters &lt;br /&gt;Drew O'Dogherty   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;28-Jun-01&lt;br /&gt;Doves&lt;br /&gt;The Webb Brothers&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston &lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;21-Sep-01   &lt;br /&gt;Sigur Ros &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Berklee Performance Center Boston &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;5-Oct-01&lt;br /&gt;Björk &lt;br /&gt;Matmos&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Radio City Music Hall New York City&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;12-Oct-01   &lt;br /&gt;Björk&lt;br /&gt;Matmos&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Wang Center Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;26-Oct-01   &lt;br /&gt;Spiritualized &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt; &lt;br /&gt;   &lt;br /&gt;25-Apr-02   &lt;br /&gt;Cranes &lt;br /&gt;Mistle Thrush   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/Untitled.jpg"&gt;&lt;br /&gt;&lt;br /&gt;17-Jun-02   &lt;br /&gt;Doves &lt;br /&gt;Elbow &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;19-Sep-02   &lt;br /&gt;Doves &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Boston &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;29-Sep-02   &lt;br /&gt;Gus Gus &lt;br /&gt;Ballogomingo&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Axis Boston &lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;16-Mar-03&lt;br /&gt;Royksopp &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;24-Apr-03   &lt;br /&gt;Throwing Muses (w/Tanya Donelly) &lt;br /&gt;The Fly Seville   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;25-Apr-03   &lt;br /&gt;Throwing Muses (w/Tanya Donelly) &lt;br /&gt;Audio Learning Center   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;26-Apr-03   &lt;br /&gt;Throwing Muses (w/Tanya Donelly) &lt;br /&gt;Audio Learning Center    &lt;br /&gt;      (didn’t see this time)   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Irving Plaza New York City&lt;/span&gt; &lt;br /&gt; &lt;br /&gt;22-Aug-03  &lt;br /&gt;Björk&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Keyspan Park NYC (Brooklyn) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;23-Aug-03   &lt;br /&gt;Björk &lt;br /&gt;Sigur Ros&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Keyspan Park NYC (Brooklyn)   &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;31-aug-03&lt;br /&gt;Björk &lt;br /&gt;Yeah Yeah Yeah's   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;FleetBoston Pavilion Boston&lt;/span&gt; &lt;br /&gt; &lt;br /&gt;17-Oct-03  &lt;br /&gt;Spiritualized &lt;br /&gt;Secret Machines&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lupo's Heartbreak Hotel Providence&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;12-Mar-04   &lt;br /&gt;Trans Am &lt;br /&gt;302 Acid   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Black Cat Washington, DC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;3-Apr-04&lt;br /&gt;Squarepusher &lt;br /&gt;Cassetteboy  &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston &lt;/span&gt; &lt;br /&gt;&lt;br /&gt;??   &lt;br /&gt;Broker/Dealer (DJ set) &lt;br /&gt;KeepSmarty   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Phoenix Landing Cambridge&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;7-Oct-04   &lt;br /&gt;The Killers &lt;br /&gt;Ambulance LTD&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Roxy Boston&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;12-Oct-04   &lt;br /&gt;TV on the Radio &lt;br /&gt;Beep Beep   &lt;br /&gt;(opening for The Faint whom didn’t   &lt;br /&gt;watch) &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Roxy Boston&lt;/span&gt;  &lt;br /&gt;   &lt;br /&gt;10-Nov-04&lt;br /&gt;Battles &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Upstairs Cambridge&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;8-Dec-04   &lt;br /&gt;Pixies &lt;br /&gt;TV on the Radio   &lt;br /&gt;The Bennies&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;D.A.R. Constitution Hall Washington, DC&lt;/span&gt;   &lt;br /&gt; &lt;br /&gt;9-Dec-04  &lt;br /&gt;Pixies &lt;br /&gt;David Lovering (magic act)   &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Ballroom Boston &lt;/span&gt;  &lt;br /&gt;&lt;br /&gt;18-Dec-04&lt;br /&gt;Pixies &lt;br /&gt;Mike Watt   &lt;br /&gt;(early show 530 doors)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Hammerstein Ballroom New York City&lt;/span&gt;   &lt;br /&gt;&lt;br /&gt;18-Dec-04&lt;br /&gt;Pixies &lt;br /&gt;50 Foot Wave   &lt;br /&gt;(late show 1030 doors)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Hammerstein Ballroom New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;20-May-05&lt;br /&gt;Doves&lt;br /&gt;Mercury Rev (missed them unfortunately)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Ballroom Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;24-Jun-05&lt;br /&gt;Oasis&lt;br /&gt;Jet&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Tweeter Center Mansfield MA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;15-Jul-05&lt;br /&gt;Dinosaur Jr.&lt;br /&gt;Magik Markers&lt;br /&gt;Feathers&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Ballroom Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;18-Aug-05&lt;br /&gt;Spoon&lt;br /&gt;Longwave&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Hatch Shell Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;12-Sep-05&lt;br /&gt;Doves&lt;br /&gt;Longwave&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Avalon Ballroom Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16-Sep-05&lt;br /&gt;The Dandy Warhols&lt;br /&gt;As Fast As&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Red Hook Brewery Tent Portsmouth NH&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;05-Oct-05&lt;br /&gt;Dead Can Dance&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Orpheum Theater Boston MA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;27-Nov-05&lt;br /&gt;The Dandy Warhols &lt;br /&gt;The Out Crowd &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;9:30 Club Washington DC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;29-Nov-05&lt;br /&gt;The Dandy Warhols &lt;br /&gt;The Out Crowd &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Webster Hall Manhattan NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;30-Nov-05&lt;br /&gt;The Dandy Warhols &lt;br /&gt;The Out Crowd &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;10-Aug-06&lt;br /&gt;TV on the Radio&lt;br /&gt;(opening for Yeah Yeah Yeahs, whom i did not stay for)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;City Hall Plaza - Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;11-Aug-06&lt;br /&gt;Throwing Muses&lt;br /&gt;Bullseye!&lt;br /&gt;50FOOTWAVE&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Middle East Downstairs - Cambridge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;01-Oct-06&lt;br /&gt;Massive Attack&lt;br /&gt;DJ Tim Collins&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Orpheum Theater - Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;14-Oct-06&lt;br /&gt;TV on the Radio&lt;br /&gt;Grizzly Bear&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paradise Rock Club - Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;17-Nov-06&lt;br /&gt;The Sugarcubes&lt;br /&gt;múm&lt;br /&gt;Raas&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Laugardalshöll - Reykjavik, Iceland&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/IMG_8657.jpg?t=1164505781"&gt;&lt;br /&gt;&lt;br /&gt;21-Apr-07&lt;br /&gt;Kristin Hersh&lt;br /&gt;Delorean&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Regent Theater - Arlington, MA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;26-Apr-07&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Coachella Music Festival&lt;/span&gt;&lt;br /&gt;Björk&lt;br /&gt;Interpol&lt;br /&gt;Jarvis Cocker&lt;br /&gt;The Jesus &amp; Mary Chain (w/ Scarlett Johansson)&lt;br /&gt;Arctic Monkeys&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Empire Polo Field - Indio, CA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;05-May-07&lt;br /&gt;Björk&lt;br /&gt;Konono N°1&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;United Palace Theater - New York City, NY&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;08-May-07&lt;br /&gt;Björk&lt;br /&gt;Spank Rock&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Apollo Theater - New York City, NY&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;24-Sep-07&lt;br /&gt;Björk&lt;br /&gt;Klaxons&lt;br /&gt;Santogold&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Madison Square Garden - New York City, NY&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;06-Oct-07&lt;br /&gt;Kristin Hersh &amp; Tanya Donelly&lt;br /&gt;Tanya Donelly&lt;br /&gt;Kristin Hersh&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Brattle Theater - Cambridge, MA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;15-Dec-07&lt;br /&gt;Björk&lt;br /&gt;Ratatat&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Pearl Concert Theatre @ Palms Resort &amp; Casino - Las Vegas, NV&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;18-Jan-08&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Big Day Out Festival&lt;/span&gt;&lt;br /&gt;Björk&lt;br /&gt;Shihad&lt;br /&gt;Arcade Fire&lt;br /&gt;UNKLE&lt;br /&gt;Billy Bragg&lt;br /&gt;Grinspoon&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Mt Smart Stadium - Auckland, New Zealand&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;19-Sep-08&lt;br /&gt;Sigur Ros&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Harborlights Bank of American Pavilion - Boston, MA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;22-Sep-08&lt;br /&gt;My Bloody Valentine&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Roseland Ballroom - New York City, NY&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;01-Jun-09&lt;br /&gt;Santigold&lt;br /&gt;Amanda Blank&lt;br /&gt;Trouble Andrew&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;House of Blues - Boston MA&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;07-Jun-09&lt;br /&gt;Doves&lt;br /&gt;(Wild Light)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;House of Blues - Boston MA&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11386186-111368864929526656?l=ministryofnoise.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ministryofnoise.blogspot.com/feeds/111368864929526656/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11386186&amp;postID=111368864929526656' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/111368864929526656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/111368864929526656'/><link rel='alternate' type='text/html' href='http://ministryofnoise.blogspot.com/2005/04/shows-ive-seen-and-ticket-stubs.html' title='Shows i&apos;ve seen and ticket stubs!'/><author><name>GHOSTLIFE</name><uri>http://www.blogger.com/profile/16444472679352809989</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://img.photobucket.com/albums/v450/neonair/backbay.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11386186.post-113372366784661181</id><published>2005-12-04T11:11:00.000-08:00</published><updated>2005-12-04T11:48:18.026-08:00</updated><title type='text'>Albums to Kill for from 2005</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Bloc Party -&lt;/span&gt; Silent Alarm&lt;br /&gt;(Wichita)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/silentalarm.jpg"&gt;&lt;br /&gt;&lt;br /&gt;One listen to this album and you understand why it just makes no sense whatsoever to compare The Strokes or Franz Ferdinand or any of that pop rubbish to this group.  Incredible energy, an under-bearing political message, and sounds and a tightness to their songs you cant figure out how they got so good.  A truly incredible album with not one single bad track, with enormous range.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“they have a sense of adventure, romance, belief and intelligence, of art, a desire to explode preconceptions and exceed expectations that marks them out way above and beyond any of their perceived peers. Silent Alarm is a debut about desperation, about being desperately angry at injustice, about being desperately confused with the world, about being desperately in love. It sets its aim high from the off, drums deliberately mixed too loud in opener “Like Eating Glass” in order to make you fully aware that something important and intense is about to happen. Is happening. “Price of Gas” is an oppressive military stomp possibly about the Kyoto Agreement and impending ecological collapse, a maelstrom of sharp guitars, cacophonous percussion and abstracted, luminescent electronic swoops that would probably terrify the type of band obsessed with recording on ancient equipment in order to capture some indistinct and ideologically suspect notion of “soul.” Soul isn’t something you find in a mixing desk—it bursts outwards from your chest and guts.”&lt;/span&gt; – Stylus Magazine&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Boards of Canada &lt;/span&gt;– The Campfire Headphase&lt;br /&gt;(Warp Records) &lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/campfireheadphase.jpg"&gt;&lt;br /&gt;&lt;br /&gt;If the slow buildup to ‘Satellite Anthem Icarus’ doesn’t give you goose bumps and bring tears to your eyes because the sounds are so beautiful, you’re not human.  Every note feels like the joy of opening an old photo album.  And all this with a good subtle beat to keep your head nodding oh so slowly.  &lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“…the duo remain extremely adept at creating lacunae at the heart of their music, spaces into which you can project your own feelings and memories. As you do so, you'll slip into a gentle whirlpool of slowly emerging sonic details. The effect is seductive and remarkably subtle. A perfect accompaniment to summer evenings as dusk falls, The Campfire Headphase provides a key to the lost art of daydreaming.”&lt;/span&gt; – BBC.co.uk&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;Bohren &amp; der Club of Gore &lt;/span&gt;– Black Earth&lt;br /&gt;(Ipecac Recordings)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/blackearth.jpg"&gt;&lt;br /&gt;&lt;br /&gt;The band calls their music ‘horror jazz’, and that describes it perfectly, and would fit right into pretty much any film by David Lynch.  Creepy = beautiful.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“Creeping, plodding, yet gorgeously, sleepily melodic. Each note played on the piano, each hit of the snare, carries great weight, and beauty. Their music falls like thick drops of liquid into a still, dark, black pool, rippling the surface with unknown echoes. Foreboding, and entrancing. The sultry, smoky saxophone … only adds to the noir-ish vibe, great for wandering the rainy streets of night-time San Francisco with this playing in your Walkman, let me tell you.”&lt;/span&gt; – Aquarius Records review&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Celebration&lt;/span&gt; – Celebration &lt;br /&gt;(4AD)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/celebration.jpg"&gt;&lt;br /&gt;&lt;br /&gt;Its funny cause I wasn’t able to find really any good reviews for this album, other than on the 4AD messageboard! But I have this one below where they are criticizing basically, although I think it all sounds like a compliment.  Celebration have made a very tight, very sexy (yes, sexy), very energetic record that sounds like a ride through a haunted ride at a carnival, with a dash of Siouxsie &amp; the Banshees and some fanastic bass lines thrown in.  Could be my favorite album of the year just for its sheer uniqueness.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“(Celebration) sounds something like 4AD's entire catalogue being chopped up and fed through a meat-grinder, those glistening synths and ethereal harmonies and lilting whale songs agonizingly mashed into an ugly, Frankensteinian chamber-jazz. Nearly every track begins with a deceptively calm and fluid keyboard melody before slowly piling on more and more elements, becoming denser and more chaotic while Ford gets further and further from anything resembling pop music. It's a neat trick, one that stays interesting over the course of the album, but don't expect it to keep you warm at night.”&lt;/span&gt; – PitchforkMedia.com&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Cocteau Twins&lt;/span&gt; – Lullabies to Violaine &lt;br /&gt;(4AD)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/cocteautwins.jpg"&gt;&lt;br /&gt;&lt;br /&gt;How many times have I been asked ‘Who sings the vocals on that Massive Attack song ‘Teardrop’?’.  URGH!! Its Liz Frasier, and ill be damned if that Massive Attack album wasn’t heavily influenced by Ms Frasier’s band Cocteau Twins which had released an album and EP pretty much every year for 17 years before that Massive Attack album came out.  This is a 4CD collection of all their EP’s, of which the songs were never repeated on any album! Pick this up and rejoice in its umcomparable beauty.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“At the center were Liz Frasier's multitracked, quasi-operatic vocals, sugar-hiccupping their way through the reverb-drenched mix, with Robin Guthrie's proto-shoegazing guitars…tangling underneath. Melodies were soaring, arrangements so gauzy they left a residue and tempos uniformly sluggish - only periodically would a piano or keyboard slip into the mix, and even when they did you barely noticed. In any other group, the brutal, relentlessly-pounding drum machine would grind it all to an anvil-dropping halt - here, it merely adds a touch of levity to the proceedings.  For the Cocteau Twins, that was template: soaring vocals, cascading guitars, pounding drum machine, buckets of reverb. Trends be damned, there would be no hip hop experiments, no dancefloor moves and zero concessions to the marketplace. It was as if no one else existed.”&lt;/span&gt; – Stylus Magazine&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Coldplay&lt;/span&gt; – X &amp; Y &lt;br /&gt;(Capitol)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/xandy.jpg"&gt;&lt;br /&gt;&lt;br /&gt;This was strangely the hardest album to pick the perfect song to represent the greatness of this album.  Why? Cause every track is just beyond beautiful.  I fell in love with the first album (after being a skeptic cause of ‘Yellow’) while on a trip to Australia with my best mate Maria.  Then album two was a stinker sans one or two tracks.  Then this came out and I couldn’t believe they could top their original album, but they pretty much did it.  Every track is so inspiring in some weird way.  And if one more person calls them ‘the new U2’ im gonna pull a Hitler.  They don’t sound like U2 or have any quality that sinks to the level of that Mr Goodbody suit wearing moron Bono and the rest of those jerks.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“These aren’t songs so much as the aural equivalent of suspension bridges, at once massive and graceful—constructions perfectly suited to Martin and Buckland’s metaphysical ponderings about the unanswerable questions of existence. At this point it’s apparent what’s in store, and we wait for the next moment of grandeur to arrive—anticipation of the Big Moment is a key ingredient of the dynamic—as Coldplay proceeds to fashion one monument after another.”&lt;/span&gt; – Paste Magazine&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;The Dandy Warhols&lt;/span&gt; – Odditorum of Warlords of Mars &lt;br /&gt;(Capitol)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/odditorium.jpg"&gt;&lt;br /&gt;&lt;br /&gt;Probably the funnest band to listen to or see live, and basically some very underappreciated songwriting.  If the Velvet Underground were a bit poppier and didnt take themselves so seriously, youd have the Dandy Warhols.  Each album pretty much continues on their path of very very catchy pop rock songs and spacey hook and bass driven 'sonic cathedrals'.  Each album bounced back and forth between putting you in a trance and then snapping you out of it the next song and repeating the process for an album worth of material.  A great great album by a fantstic band.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“Neo-psychedelia is still the Dandies’ bread and butter, and on the swirling, dreamy “Down Like Disco,” they retrofit the Jefferson Airplane with shoegazer atmospherics. With its languid vocals and trippy, melting walls of organ, “Holding Me Up” is an after-hours party in a scary carnival funhouse and “Did You Make A Song With Otis” is a warped version of The Lemonheads, as played by clowns on acid.”&lt;/span&gt; – LostAtSea.net&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Daniel Agust&lt;/span&gt; – Swallowed A Star &lt;br /&gt;(One Little Indian)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/danielagust.jpg"&gt;&lt;br /&gt;&lt;br /&gt;I never really liked male voices at all until I heard Mr Agust, one of the 3 singers from Icelandic art-troupe GusGus, and this album seems to have been written to showcase just that.  A collection of classical music esque pop songs with one heck of a voice.  Smooooooooooooth ........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“Electronic hisses, fizzes, squelching bass and Eleanor Rigby-esque strings announce the arrival of …Daníel Ágúst – former lead singer of Icelandic trip hop outfit GusGus with five gold records and an Icelandic number 1 to his name – along with Bix – remixer to Madonna, Sigur Ros and Beck – have created a rich tapestry of orchestration, eerie bleeps and rousing soulful vocals. A blissful mini sympathy with an infectious pop edge.”&lt;/span&gt; – One Little Indian&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Doves&lt;/span&gt; – Some Cities &lt;br /&gt;(Heavenly/Capitol)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/somecities.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“(Doves) sound – pounding backbeats swathed in glittering, soulful melodies that swelled and crested like the black waves off Gibraltar – was unique in a way others were not (hello, Elbow). Some Cities builds on the band's propensity for melodic grandeur and achieves pure sonic bliss in the bargain. …The urban stomp of breakneck single "Black and White Town," the greatest hit Phil Spector never produced. "Snowden"s gossamer vocals and glistening guitar crescendos reach for the clouds, adrift in the sort of aural ecstasy fans of Britrock have been pining for since the heyday of Johnny Marr and you-know-who. And then there's the haunted, piano-based "Shadows of Salford," a hushed, elegiac phantom of a song birthed to be heard best, one suspects, emanating from an aging, pre-Blitz Victrola.”&lt;/span&gt; – Austin Chronicle&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Engineers&lt;/span&gt; – Engineers &lt;br /&gt;(Echo)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/engineers.jpg"&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;br /&gt;“It seems almost criminal to be listening to a record as summery as ‘Engineers’ on a day when the snow is building upon the windowsill outside. Everything abou t the album evokes dreamy days, lying in tall grass and looking up at blue, cloudless skies. Songs build with layer upon layer of gorgeous textures like a sweet but never sickly knickerbocker glory of aural bliss. An incredibly warm and organic sounding debut, the songs all belie the band name of Engineers, who, thankfully, never feel manufactured or contrived.”&lt;/span&gt; – Drowned In Sound.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“Engineers don’t shift the paradigm in any radical new directions; they simply enliven it by paying it no attention and taking their own route through the oceans and smoke of sound. Engineers exists in a confused, semi-industrial wasteland where mist merges with smoke from factory stacks, where blackened buildings are bordered by canals, where empty warehouses stand close by like the disorienting walls of a charcoal maze. Which is to say that you could get lost there, but you probably wouldn’t mind.”&lt;/span&gt; – Stylus Magazine&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;50 Foot Wave&lt;/span&gt; – Golden Ocean &lt;br /&gt;(4AD/Throwing Music)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/goldenocean.jpg"&gt;&lt;br /&gt;&lt;br /&gt;Art rock doesn’t get much heavier than this, and anger never sounded more clean and sunnier.  Kristen Hersh’s new musical venture shows what a little class can do to music so dirty.  When she whispers ‘You know what? You know that? You know what?, and then thunders into your head ‘SHUT THE FUCK UP’,  you can’t help but get chills.  Best lyric ever as well ‘Im gonna wash that man right out of my hair, and soap him into my eyes, and soap him into my eyes, and soap him into my eyes, and soap him into my eyes.’&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“It’s a perfect mess. It’s artwork made of garbage, where each soiled and pungent piece is laid with great precision to create something great, then lit on fire for dramatic effect. Each step is planned to look drunk and uncoordinated, each breakdown, dropout and rebel yell is right on target. They make visceral trash rock look easy, and what’s more, they make it stick to your fingers, clothes and subconscious. “Golden Ocean” is a bounding, surreal piece, putting the rest of the disc in a mystical perspective. As it suggests, it moves and rolls like the tides, and as Dali would paint a shining seascape, brimming with irony, so has Hersh created her very own Persistence of Memory.”&lt;/span&gt; – LostAtSea.net&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;M83&lt;/span&gt; – Before the Dawn Heals Us &lt;br /&gt;(Gooom)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/m83.jpg"&gt;&lt;br /&gt;&lt;br /&gt;It's amazing how futuristic and groundbreaking this music sounds, and really isnt, as it sounds pretty much what a new My Bloody Valentine album would sound like if it ever happened, this being 14 years later.  &lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“M83 layer(s) electro-acoustic sci-fi backdrops atop often-campy dialogue, and then buoying it all with by a massive noir choir. From the buzzing nighttime Blade Runner skyline of the cover art to lyrics investigating car wrecks and dislodged brains, this is a mammoth collusion of synth gasps and distorted swirls, darker and more urban than its meadow-bound predecessor. (M83) weaves a rock backbone into their tangerine-dream landscape with steady doses of highly effective live drums, gigantic post-My Bloody Valentine guitar, and sharper, more defined songwriting that helps to beef up the diaphanous symphony, and creating a massive, teeming, gaudy edifice that at its best dazzles like its own misty solar system. And even when it implodes, the unintentional fireworks of its collapse create compelling, stunning patterns that leak like colored ink through the nocturnal cloud cover.”&lt;/span&gt; – Pitchfork Media&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;Minotaur Shock&lt;/span&gt; – Maritime &lt;br /&gt;(4AD)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/minotaurshock.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“Maritime, is a joyous, positively sun drenched blend of organic instruments and electronic twiddlings. Indeed, as the name suggests, the album feels as if it were crafted in a cabin overlooking a beach in the midst of a northeastern Canadian spring. These aren't just some glitched out beats slapped onto a piano loop; instead they're beautifully composed pieces that thoughtfully blend both worlds together. Clarinets, flute, strings, drums and guitars are all featured throughout the album, standing proudly alongside some nicely tweaked beats. But what ultimately makes the disc enjoyable is Edwards' balance of skill and accessibility. He is a very talented programmer, but it never comes at the expense at inviting the listener into its bright, Technicolor world that is worth every minute exploring.”&lt;/span&gt; – Popmatters.com &lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Oasis&lt;/span&gt; – Don’t Believe the Truth &lt;br /&gt;(Big Brother)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/dontbelievethetruth.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“Don't Believe the Truth is a real shock. It's confident, muscular, uncluttered, tight, and tuneful in a way Oasis haven't been since Morning Glory. It doesn't feel labored nor does it sound as if they're deliberately trying to recreate past glories. Instead, it sounds like they've remembered what they love about rock &amp; roll and why they make music. The consistent songwriting to the loose, comfortable arrangements and the return of their trademark bravado makes Don't Believe the Truth the closest Oasis has been to great since the summer of Britpop, when they were the biggest and best band in the world.”&lt;/span&gt; – Allmusic.com&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Sigur Ros&lt;/span&gt; – Takk … &lt;br /&gt;(Geffen)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/takk.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“(Sigur Ros) still sound hauntingly beautiful. The eleven songs on Takk..., a few of which are transitional pieces, each develop concurrent melody, dynamism, and swelling atmosphere to ravishing effect.  In fact, one of the difficult things about assessing Sigur Rós … is finding a suitable explanation of precisely why their music is so peculiarly emotive. The best that I can do, insofar as cathecting emotional power-points is possible, is point out how lead singer Jónsi's celestial vocals, both in their timbre and their avoidance of conventional lyrics, create a primal, non-linguistic impression. By avoiding words, he centers attention on the actual sound of his voice, and thus reaches more directly to a listener's emotional consciousness. That chanting voice, combined with the fury of the group's percussion, their shoe-gaze tendency for explorative guitar-textures, and smart cultivation of space, creates an ideal sonic landscape for emotional identification.  One doesn't have to read into it too far to understand that these elements create, conceptually, a sense of evanescence, a sense of the uncertain and consequently precarious beauty of sound.”&lt;/span&gt; – CokeMachineGlow.com&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;Sing Sing&lt;/span&gt; – Sing Sing and I &lt;br /&gt;(Aerial)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/2ab63fe8.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“It's a record, that, for its occasionally trip-hop leanings, is really about the songs, rather than about sound textures and breathy singers.  Together with their many collaborators, O'Neill and Anderson, by sheer force of personality, have outstripped their musical pasts -- the former chiefly working as vocalist on others' electronic-based projects, and the latter in all-about-the-ethereal Lush -- and created a glamorous, evocative sound with a solid pop base, rather than mood pieces with pop trappings. It ends up being even moodier for all the genuine heart and wit behind it. Now there's style for you!”&lt;/span&gt; - Splendid&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Thievery Corporation&lt;/span&gt; – The Cosmic Game (ESL Music)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/cosmicgame.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;“Though Thievery Corporation's trademark confluence of chilled trip-hop, time-stretched dub, and casual musical globetrotting initially appears as tranquil as ever, beneath this false serenity churns an undercurrent of political anger, disillusionment and alienation that helps charge the album with enhanced fervor and vitality. The Cosmic Game is a veritable tour-de-force of trance-inducing fusionist bliss, carrying the listener from Jamaica to Rio to India with magic carpet ease before the quiet, hookah-puffing "A Gentle Dissolve" ends the game with a sigh rather than a scream.”&lt;/span&gt; – Pitchfork Media&lt;br /&gt;&lt;br /&gt;........&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;Ulrich Schnauss&lt;/span&gt; – Far Away Trains Passing By (reissue) &lt;br /&gt;(Domino Recordings)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://img.photobucket.com/albums/v450/neonair/farawaytrains.jpg"&gt;&lt;br /&gt;&lt;br /&gt;I cant say enough about this musician. This album came out about 3-4 years ago but was just reissued, and with a bonus disc of songs released on other compilations.  His music is probably the most exciting Ive heard in years.  Beautiful beautiful electronic music that doesnt sound one bit electronic, and sounds more organic than anything in Whole Foods. HA!  Very blissful sounds with gentle beats and melodies that seem to pull at some sort of heartstrings, I guess you could say.  What can I say, intensely gentle and beautiful stuff&lt;br /&gt;&lt;br /&gt;“Infusing the emotional intensity of classical compositions from J.S. Bach or Ludwig Van Beethoven with the electronic warmth of Richard James (Aphex Twin) or Global Communication's more ambient work, Ulrich Schnauss has created a bit of a minor masterpiece with this six track album of unprecedented beauty.  Simply put: Far Away Trains Passing By is elegant, simple and beautifully refined ambient techno. These melodies aim straight for the heart and capture it, embracing you in a dance of pure bliss that will have you spinning around the room like a whirling dervish. Quite frankly, this is one of the most stunningly beautiful releases of the year.” - BBC&lt;br /&gt;&lt;br /&gt;.......&lt;br /&gt;&lt;br /&gt;Honorable Mention :&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Black Rebel Motorcycle Club&lt;/span&gt; – Howl (Echo)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Cass McCombs&lt;/span&gt; – PREfection (4AD)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Foo Fighters&lt;/span&gt; – In Your Honor (RCA)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Interpol&lt;/span&gt; – Antics (Matador)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Juan Maclean&lt;/span&gt; – Less Than Human (DFA/Astralwerks)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lil Kim&lt;/span&gt; – The Naked Truth (Atlantic)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Madonna&lt;/span&gt; – Confessions on a Dancefloor (Warner Bros.)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Serena Maneesh&lt;/span&gt; – Serena Maneesh (Honeymilk)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;She Wants Revenge&lt;/span&gt; – Out of Control EP / These Things EP (Geffen)&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Sleater Kinney&lt;/span&gt; – The Woods (Sub Pop)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11386186-113372366784661181?l=ministryofnoise.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/113372366784661181'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/113372366784661181'/><link rel='alternate' type='text/html' href='http://ministryofnoise.blogspot.com/2005/12/albums-to-kill-for-from-2005.html' title='Albums to Kill for from 2005'/><author><name>GHOSTLIFE</name><uri>http://www.blogger.com/profile/16444472679352809989</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://img.photobucket.com/albums/v450/neonair/backbay.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-11386186.post-113251595478855045</id><published>2005-11-20T11:21:00.000-08:00</published><updated>2005-11-20T15:57:35.876-08:00</updated><title type='text'>4AD</title><content type='html'>50 Foot Wave - Bug EP* - D&lt;br /&gt;50 Foot Wave - Golden Ocean* - D&lt;br /&gt;Air Miami - Fuck You, Tiger EP - D&lt;br /&gt;Air Miami - Me, Me, Me - 1&lt;br /&gt;The Amps - Pacer - 1&lt;br /&gt;Bauhaus - In the Flat Field - 1&lt;br /&gt;Belly - Slow Dust EP - D&lt;br /&gt;Belly - Star* - 1&lt;br /&gt;Belly - Gepetto EP Remix Disc 2 - D&lt;br /&gt;Belly - Feed the Tree EP (US) - D&lt;br /&gt;Belly - King* - 1&lt;br /&gt;Belly - Seal My Fate (US Radio Mix) EP - D&lt;br /&gt;Belly - Now They'll Sleep EP* - D&lt;br /&gt;Belly - Baby Silvertooth - 1&lt;br /&gt;Belly - Sweet Ride : The Best of Belly* - 1&lt;br /&gt;Heidi Berry - Love - 1&lt;br /&gt;Heidi Berry - Miracle - 1&lt;br /&gt;Heidi Berry - Pomegranate : An Anthology - 1&lt;br /&gt;The Birthday Party - Hee Haw - 1&lt;br /&gt;The Birthday Party - Junkyard - 1&lt;br /&gt;The Birthday Party - Prayers on Fire - 1&lt;br /&gt;The Birthday Party - Hits - 1&lt;br /&gt;The Birthday Party - Live 81-82 - 1&lt;br /&gt;Frank Black - Frank Black - 1&lt;br /&gt;Blonde Redhead - Misery Is A Butterfly - D&lt;br /&gt;The Breeders - Pod - 1&lt;br /&gt;The Breeders - Safari EP - D&lt;br /&gt;The Breeders - Last Splash - 1&lt;br /&gt;The Breeders - Title TK - 1&lt;br /&gt;Michael Brook - Cobalt Blue - 1&lt;br /&gt;Michael Brook - Cobalt Blue/Live at the Aquarium - 1 &lt;br /&gt;Michael Brook - Albino Alligator - 1&lt;br /&gt;Celebration - Celebration - D&lt;br /&gt;Clan of Xymox - Clan of Xymox - 1&lt;br /&gt;Clan of Xymox - Medusa - 1&lt;br /&gt;Clan of Xymox - Medusa (reissue) - 1&lt;br /&gt;Cocteau Twins - Garlands - 1&lt;br /&gt;Cocteau Twins - Garlands (reissue) - 1&lt;br /&gt;Cocteau Twins - Head over Heels - 1&lt;br /&gt;Cocteau Twins - Head over Heels (reissue) - 1&lt;br /&gt;Cocteau Twins - Treasure - 1&lt;br /&gt;Cocteau Twins - Treasure (reissue) - 1&lt;br /&gt;Cocteau Twins - Victorialand - 1&lt;br /&gt;Cocteau Twins - Victorialand (reissue) - 1&lt;br /&gt;Cocteau Twins - Blue Bell Knoll - 1&lt;br /&gt;Cocteau Twins - Blue Bell Knoll (reiusse) - 1&lt;br /&gt;Cocteau Twins - Heaven or Las Vegas - 1&lt;br /&gt;Cocteau Twins - Heaven or Las Vegas (reissue) - 1&lt;br /&gt;Cocteau Twins - Stars and Topsoil : A collection (1982-1990) - 1&lt;br /&gt;Cocteau Twins - Lullabies to Violaine (4CD EP Collection) - D&lt;br /&gt;Cocteau Twins and Harold Budd - The Moon and the Melodies - 1&lt;br /&gt;Colourbox - Colourbox - 1&lt;br /&gt;Cuba - Leap of Faith - 1&lt;br /&gt;Cuba - Cross the Line EP - D&lt;br /&gt;Cuba - Havana EP - D&lt;br /&gt;Cuba - Black Island EP - D&lt;br /&gt;Cuba - Starshine EP - D&lt;br /&gt;Dead Can Dance - Dead Can Dance - 1&lt;br /&gt;Dead Can Dance - Spleen and Ideal - 1&lt;br /&gt;Dead Can Dance - Within the Realm of a Dying Sun - 1&lt;br /&gt;Dead Can Dance - Aion - 1&lt;br /&gt;Dead Can Dance - A Passage in Time - 1&lt;br /&gt;Dead Can Dance - Into the Labyrinth - 1&lt;br /&gt;Dead Can Dance - Toward the Within - 1&lt;br /&gt;Dead Can Dance - Spiritchaser - 1&lt;br /&gt;Dif Juz - Extractions - 1&lt;br /&gt;Dif Juz - Soundpool - 1&lt;br /&gt;Tanya Donelly - Sliding and Diving EP - D&lt;br /&gt;Tanya Donelly - Lovesongs for Underdogs* - 1&lt;br /&gt;Tanya Donelly - Pretty Deep (Disc 1) - D&lt;br /&gt;Tanya Donelly - Pretty Deep (Disc 2) - D&lt;br /&gt;Tanya Donelly - The Bright Light (Disc 1) - D&lt;br /&gt;Tanya Donelly - The Bright Light (Disc 2) - D&lt;br /&gt;Tanya Donelly - Sleepwalk EP - D&lt;br /&gt;Tanya Donelly - Beautysleep - 1&lt;br /&gt;Tanya Donelly - Whiskey Tango Ghosts (autographed) - D&lt;br /&gt;Lisa Germano - Inconsiderate Bitch EP - D&lt;br /&gt;Lisa Germano - Happiness - 1&lt;br /&gt;Lisa Germano - Geek the Girl - 1&lt;br /&gt;Lisa Germano - Excerpts from a Love Circus - 1&lt;br /&gt;Lisa Germano - Small Heads EP - D&lt;br /&gt;Lisa Germano - Slide - 1&lt;br /&gt;Lisa Gerrard - The Mirror Pool - 1&lt;br /&gt;Lisa Gerrard &amp; Pieter Bourke - Duality - 1&lt;br /&gt;Lisa Gerrard - Whale Rider - D&lt;br /&gt;Lisa Gerrard &amp; Patrick Cassidy - Immortal Memory - 1&lt;br /&gt;Gilbert and Lewis - 8 Time - 1&lt;br /&gt;The Glee Club - Mine - 1&lt;br /&gt;Rachel Goswell - The Sleep Shelter EP - D&lt;br /&gt;Rachel Goswell - Waves Are Universal - 1&lt;br /&gt;GusGus - Polyesterday EP - D&lt;br /&gt;GusGus - Polydistortion (2CD-US) - 1&lt;br /&gt;GusGus - Polydistortion (UK-Ltd.) - D&lt;br /&gt;GusGus - Believe (Disc 1) EP - D&lt;br /&gt;GusGus - Believe (Disc 2) EP - D&lt;br /&gt;GusGus - Polyesterday REISSUE (Disc 1) EP - D&lt;br /&gt;GusGus - Polyesterday REISSUE (Disc 2) EP - D&lt;br /&gt;GusGus - Standard Stuff for Drama EP (US) - D&lt;br /&gt;GusGus - This is Normal - 1&lt;br /&gt;GusGus - Ladyshave EP (US) - D&lt;br /&gt;GusGus - Ladyshave (Disc 1) EP - D&lt;br /&gt;GusGus - Ladyshave (Disc 2) EP - D&lt;br /&gt;GusGus - Starlovers (Disc 1) EP - D&lt;br /&gt;GusGus - Starlovers (Disc 1) EP - D&lt;br /&gt;GusGus - V.I.P. (Disc 1) EP - D&lt;br /&gt;GusGus - V.I.P. (Disc 2) EP - D&lt;br /&gt;GusGus - V.I.P. EP (US) - D&lt;br /&gt;GusGus - vs. T-World - 1&lt;br /&gt;Neil Halstead - Two Stones in My Pocket EP - D&lt;br /&gt;Neil Halstead - Sleeping on Roads - 1&lt;br /&gt;The Happy Family - The Man on Your Street - 1&lt;br /&gt;Kristin Hersh - Hips and Makers* - 1&lt;br /&gt;Kristin Hersh - Your Ghost EP - D&lt;br /&gt;Kristin Hersh - Strings EP* - 1&lt;br /&gt;Kristin Hersh - The Holy Single* EP - D &lt;br /&gt;Kristin Hersh - Like You EP - D&lt;br /&gt;Kristin Hersh - Strange Angels* (autographed) - 1&lt;br /&gt;Kristin Hersh - Murder, Misery and then Goodnight - D&lt;br /&gt;Kristin Hersh - Sky Motel - 1&lt;br /&gt;Kristin Hersh - Echo EP - D&lt;br /&gt;Kristin Hersh - A Cleaner Light EP - D&lt;br /&gt;Kristin Hersh - Sunny Border Blue - 1&lt;br /&gt;Kristin Hersh - The Grotto - D&lt;br /&gt;His Name is Alive - Livonia - 1&lt;br /&gt;His Name is Alive - Home Is In Your Head (US) - 1&lt;br /&gt;His Name is Alive - Home Is In Your Head (UK) - 1&lt;br /&gt;His Name is Alive - Mouth by Mouth - 1&lt;br /&gt;His Name is Alive - Stars on ESP - 1&lt;br /&gt;His Name is Alive - Universal Frequencies EP - D&lt;br /&gt;His Name is Alive - Nice Day EP - D&lt;br /&gt;His Name is Alive - Ft. Lake - 1&lt;br /&gt;His Name is Alive - Cant Always Be Loved EP - D&lt;br /&gt;His Name is Alive - Always Stay Sweet - 1&lt;br /&gt;His Name is Alive - Someday (My Blues Will Cover the Earth) - 1&lt;br /&gt;His Name is Alive - Last Night - 1&lt;br /&gt;The Hope Blister - ...Smile's OK - 1&lt;br /&gt;The Hope Blister - Underarms - D&lt;br /&gt;In Camera - 13 (Lucky for Some) - 1&lt;br /&gt;Insides - Euphoria (4AD for US) - 1&lt;br /&gt;Lakuna - Castle of Crime - 1&lt;br /&gt;Les Mystere des Voix Bulgares - Volume 1 - 1&lt;br /&gt;Les Mystere des Voix Bulgares - Volume 2 - 1&lt;br /&gt;Liquorice - Listening Cap - 1&lt;br /&gt;Lush - Scar - 1&lt;br /&gt;Lush - Mad Love - 1&lt;br /&gt;Lush - Gala - 1&lt;br /&gt;Lush - Spooky - 1&lt;br /&gt;Lush - Nothing Natural EP (US) - D&lt;br /&gt;Lush - For Love - 1&lt;br /&gt;Lush - Black Spring - 1&lt;br /&gt;Lush - Split - 1&lt;br /&gt;Lush - Desire Lines EP - D&lt;br /&gt;Lush - Hypocrite EP - D&lt;br /&gt;Lush - Lovelife - 1&lt;br /&gt;Lush - Topolino - 1&lt;br /&gt;Lush - Single Girl (Disc 1) - D&lt;br /&gt;Lush - Single Girl (Disc 2) - D&lt;br /&gt;Lush - Ladykillers (Disc 1) - D&lt;br /&gt;Lush - Ladykillers (Disc 2) - D&lt;br /&gt;Lush - 500 (Disc 1) - D&lt;br /&gt;Lush - 500 (Disc 2) - D&lt;br /&gt;Lush - Ciao : Best of Lush - 1&lt;br /&gt;Magnetophone - Come on the Phone EP - 1&lt;br /&gt;Magnetophone - I Guess Sometimes I Need to be Reminded of How Much You Love Me - 1 &lt;br /&gt;Magnetophone - The Man who Ate the Man - D&lt;br /&gt;M.A.R.R.S. - Pump up the Volume (reiussue) -1&lt;br /&gt;Mass - Labour of Love&lt;br /&gt;Cass McCombs - A - 1&lt;br /&gt;Cass McCombs - PREfection*&lt;br /&gt;Vinny Miller - Breaking Out of Your Arms EP - D&lt;br /&gt;Vinny Miller - On the Block - 1&lt;br /&gt;Minotaur Shock - Maritime - D&lt;br /&gt;Modern English - Mesh and Lace&lt;br /&gt;Modern English - After the Snow - 1&lt;br /&gt;Modern English - Ricochet Days - 1&lt;br /&gt;Modern English - Life in the Gladhouse : 1980-1984 - 1&lt;br /&gt;Mojave 3 - Ask Me Tomorrow - 1&lt;br /&gt;Mojave 3 - Out of Tune - 1&lt;br /&gt;Mojave 3 - Who Do You Love EP - D&lt;br /&gt;Mojave 3 - Some Kinda Angel EP - D&lt;br /&gt;Mojave 3 - Excuses for Travellers - 1&lt;br /&gt;Mojave 3 - Any Day Will Be Fine EP - D&lt;br /&gt;Mojave 3 - Return to Sender EP - D&lt;br /&gt;Mojave 3 - Spoon and Rafter - D&lt;br /&gt;The Mountain Goats - See America Right EP - D&lt;br /&gt;The Mountain Goats - Tallahassee - D&lt;br /&gt;Colin Newman - Provisionally Entitled The Singing Fish/Not To - 1&lt;br /&gt;Pieter Nooten and Michael Brook - Sleeps with the Fishes - 1&lt;br /&gt;The Paladins - Million Mile Club - 1&lt;br /&gt;Pale Saints - Barging into the Presence of God EP - 1&lt;br /&gt;Pale Saints - The Comforts of Madness - 1&lt;br /&gt;Pale Saints - In Ribbons - 1&lt;br /&gt;Pale Saints - Throwing Back the Apple EP - D&lt;br /&gt;Pale Saints - Flesh Balloon EP - 1&lt;br /&gt;Pale Saints - Half-Life EP - 1&lt;br /&gt;Pale Saints - Fine Friend EP - 1&lt;br /&gt;Pale Saints - Slow Buildings - 1&lt;br /&gt;Pale Saints - Mrs. Dolphin - 1&lt;br /&gt;Brendan Perry - Eye of the Hunter - 1&lt;br /&gt;Piano Magic - Son de Mar - 1&lt;br /&gt;Piano Magic - Writers Without Homes - D&lt;br /&gt;Pixies - Come on Pilgrim - 1&lt;br /&gt;Pixies - Surfer Rosa - 1&lt;br /&gt;Pixies - Doolittle - 1&lt;br /&gt;Pixies - Bossanova - 1&lt;br /&gt;Pixies - Trompe Le Monde - 1&lt;br /&gt;Pixies - Alec Eiffel EP (US) - D&lt;br /&gt;Pixies - Death to the Pixies 1987-1991 - D&lt;br /&gt;Pixies - Debaser (Disc 2) - D&lt;br /&gt;Pixies - Complete 'B' Sides - 1&lt;br /&gt;Pixies - At the BBC - 1&lt;br /&gt;Red House Painters - Down Colorful Hill - 1&lt;br /&gt;Red House Painters - Red House Painters - 1&lt;br /&gt;Red House Painters - Red House Painters II - 1&lt;br /&gt;Red House Painters - Shock Me EP - D&lt;br /&gt;Red House Painters - Ocean Beach - 1&lt;br /&gt;Red House Painters - Retrospective - 1&lt;br /&gt;Rema-Rema - Wheel in the Roses EP - D&lt;br /&gt;Scheer - Schism EP - D&lt;br /&gt;Scheer - Infliction - 1&lt;br /&gt;Scheer - Shea EP - D&lt;br /&gt;Scheer - Wish You Were Dead EP - D&lt;br /&gt;Scheer - Demon EP - D&lt;br /&gt;Scheer - First Contact EP - D&lt;br /&gt;Scheer - ... and Finally (Schism, license to 4AD) - 1&lt;br /&gt;Kendra Smith - Five Ways of Disappearing - 1&lt;br /&gt;Spirea X - Fireblade Skies - 1&lt;br /&gt;Swallow - Blow - 1&lt;br /&gt;Sybarite - Nonument - D&lt;br /&gt;Tarnation - Gentle Creatures - 1&lt;br /&gt;Tarnation - Gentle Creatures (reissue) - 1&lt;br /&gt;Tarnation - Mirador (UK) - 1&lt;br /&gt;Tarnation - Your Thoughts and Mine EP - D&lt;br /&gt;The The - Burning Blue Soul - 1&lt;br /&gt;Thievery Corporation - Sounds from the Thievery Hi-Fi - 1&lt;br /&gt;Thievery Corporation - Lebanese Blonde EP - D&lt;br /&gt;Thievery Corporation - .38.45 (a Thievery Number) EP - D&lt;br /&gt;Thievery Corporation - The Mirror Conspiracy* - 1&lt;br /&gt;This Moral Coil - It'll End in Tears - 1&lt;br /&gt;This Mortal Coil - Filigree &amp; Shadow - 1&lt;br /&gt;This Mortal Coil - Blood - 1&lt;br /&gt;Throwing Muses - untitled (1987) - 1&lt;br /&gt;Throwing Muses - House Tornado / The Fat Skier EP - 1&lt;br /&gt;Throwing Muses - Hunkpapa - 1&lt;br /&gt;Throwing Muses - The Real Ramona* - 1&lt;br /&gt;Throwing Muses - Counting Backwards EP* - D&lt;br /&gt;Throwing Muses - Not Too Soon EP - 1&lt;br /&gt;Throwing Muses - Red Heaven* - 1&lt;br /&gt;Throwing Muses - Firepile EP (Disc 1) - D&lt;br /&gt;Throwing Muses - Firepile EP (Disc 2) - D&lt;br /&gt;Throwing Muses - The Curse - D&lt;br /&gt;Throwing Muses - University* - 1&lt;br /&gt;Throwing Muses - Bright Yellow Gun EP - D&lt;br /&gt;Throwing Muses - University (UK - Ltd. Red Box) - D&lt;br /&gt;Throwing Muses - Shark EP - D&lt;br /&gt;Throwing Muses - Limbo* - 1&lt;br /&gt;Throwing Muses - In A Doghouse* - 1&lt;br /&gt;Throwing Muses - Throwing Muses - D&lt;br /&gt;TV on the Radio - Desperate Youth, Bloodthirsty Babes (UK) - 1&lt;br /&gt;TV on the Radio - Staring at the Sun - 1&lt;br /&gt;TV on the Radio - New Health Rock* - 1&lt;br /&gt;Ultra Vivid Scene - Ultra Vivid Scene - 2&lt;br /&gt;Ultra Vivid Scene - Rev - 2&lt;br /&gt;Unrest - Unrest - 2&lt;br /&gt;The Wolfgang Press - The Burden of Mules - 2&lt;br /&gt;The Wolfgang Press - The Legendary Wolfgang Press and other Tall Stories - 2&lt;br /&gt;The Wolfgang Press - Standing Up Straight - 2&lt;br /&gt;The Wolfgang Press - Birdwood Cage - 2&lt;br /&gt;The Wolfgang Press - Mama Told Me Not to Come - 2&lt;br /&gt;The Wolfgang Press - Queer (US version) - 2&lt;br /&gt;The Wolfgang Press - Funky Little Demons (2CD- UK) - 2&lt;br /&gt;The Wolfgang Press - Going South EP (US) - D&lt;br /&gt;The Wolfgang Press - Everything is Beautiful (a retrospective 1983-1995) - 2&lt;br /&gt;Xmal Deutschland - Fetisch - 2&lt;br /&gt;Xma1 Deutschland - Tocsin - 2&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;span style="font-weight:bold;"&gt;VARIOUS ARTISTS :&lt;span style="font-style:italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;4AD Uncut - Promo Compilation for Uncut Magazine (UK) -2&lt;br /&gt;All Virgos Are Mad - comilation complimenting string of LA shows 1994 - D&lt;br /&gt;Anakin - 1998 : A Preview - D&lt;br /&gt;Doctor Tiger's Deathless Promise - promotional 4AD compilation - D&lt;br /&gt;Facing the Wrong Way - 1994 Current and 1995 Upcoming Compilation - D&lt;br /&gt;Joyride - Original Motion Picture Soundtrack (US) - 2&lt;br /&gt;Lonely Is An Eyesore - 2&lt;br /&gt;Natures Mortes - Still Lives - 2&lt;br /&gt;Shoe Pie - A Compilation for Dr. Maartens Airwear - 2&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;ARTIST RELEASES BEFORE JOINING or AFTER LEAVING, or simply not on 4AD:&lt;span style="font-style:italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Heidi Berry - Below the Waves - 1&lt;br /&gt;Cocteau Twins - Four Calendar Cafe - 1&lt;br /&gt;Cocteau Twins - Otherness EP - D&lt;br /&gt;Cocteau Twins - Twinlights EP - D&lt;br /&gt;Cocteau Twins - Milk &amp; Kisses - 1&lt;br /&gt;Cocteau Twins - Violaine (Disc 1) EP - D&lt;br /&gt;Cocteau Twins - Violaine (Disc 2) EP - D&lt;br /&gt;Cocteau Twins - Tishbite (Disc 1) EP - D&lt;br /&gt;Cocteau Twins - Tishbite (Disc 2) EP - D&lt;br /&gt;Cocteau Twins - Bluebeard (EP) - 1&lt;br /&gt;Cocteau Twins - BBC Sessions - D&lt;br /&gt;Warn Defever - I Want You to Live 100 Years - 1 (His Name Is Alive)&lt;br /&gt;Lisa Germano - On the Way Down from the Moon Palace - 1&lt;br /&gt;Lisa Germano and OP8 - Slush - 1&lt;br /&gt;Lisa Germano - Lullaby for Liquid Pig - D&lt;br /&gt;GusGus - Attention - 1&lt;br /&gt;GusGus - David EP - 1&lt;br /&gt;GusGus - Mixed Live - 1&lt;br /&gt;Kristin Hersh - Live at Noe Valley Ministry - 1&lt;br /&gt;His Name Is Alive - King of Sweet - 1&lt;br /&gt;His Name Is Alive - ESP Summer - 1&lt;br /&gt;His Name Is Alive - Radio LP - 1&lt;br /&gt;Mark Kozelek - Rock N Roll Singer - 1&lt;br /&gt;Mark Kozelek - What's Next to the Moon - D (Red House Painters) - D&lt;br /&gt;Minotaur Shock - Chiff-Chaffs and Willow Warblers - 2&lt;br /&gt;Simon Raymonde - In My Place  - 1 (Cocteau Twins) - D&lt;br /&gt;Simon Raymonde - Blame Someone Else EP - 1 (Cocteau Twins) - D&lt;br /&gt;Red House Painters - Songs for a Blue Guitar - 1&lt;br /&gt;Red House Painters - Old Ramon - 1&lt;br /&gt;Spoonfed Hybrid - Hibernation Shock - 1 (Pale Saints)&lt;br /&gt;Sybarite - Placement Issues - 1&lt;br /&gt;Sun Kil Moon - Ghosts of the Great Highway - D (Red House Painters)&lt;br /&gt;Tarnation - Mirador (US/Warner) - 1&lt;br /&gt;Thievery Corporation - The Richest Man in Babylon - D&lt;br /&gt;Thievery Corporation - The Cosmic Game - D&lt;br /&gt;Thievery Corporation - DJ Kicks - 1&lt;br /&gt;Thievery Corporation - Abductions and Reconstructions - 1&lt;br /&gt;Throwing Muses - Live in Providence - D&lt;br /&gt;Throwing Muses - Freeloader EP (US) - D&lt;br /&gt;TV on the Radio - Young Liars EP - 1&lt;br /&gt;TV on the Radio - Desperate Youth, Bloodthirsty Babes (US) - 1&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;span style="font-weight:bold;"&gt;PROMOS:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Heidi Berry - Miracle album sampler (US) -D&lt;br /&gt;Celebration - New Skin/War VIDEO (US promo) - D&lt;br /&gt;Lisa Germano - I Love A Snot (US promo) - D&lt;br /&gt;Lisa Gerrard - The Mirror Pool (UK promo) - D&lt;br /&gt;GusGus - Polyesterday (GUS 2) - D&lt;br /&gt;GusGus - Selections from the debut album Polydistortion (GUS 5) - D&lt;br /&gt;GusGus - This Is Normal (US promo) - D&lt;br /&gt;His Name Is Alive - Stars on ESP album sampler (incl. interview w/Warn) (US) - D&lt;br /&gt;His Name Is Alive - Ft Lake album sampler (HNIA 3) - D&lt;br /&gt;The Hope Blister - ... smiles OK album sampler (UK) - D&lt;br /&gt;The Hope Blister - ... smiles OK album sampler (US) - D&lt;br /&gt;Lush - Lovelife (US promo) - D&lt;br /&gt;Lush - 500 (US promo) - 1&lt;br /&gt;Lush - Last Night (US promo) - 1&lt;br /&gt;Kendra Smith - Valley of the Morning Sun (US promo) - 1&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;GUERNICA (4AD offshoot label):&lt;span style="font-style:italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Insides - Clearskin - 1&lt;br /&gt;Spoonfed Hybrid - Spoonfed Hybrid - 1&lt;br /&gt;Underground Lovers - Leaves Me Blind - 2&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BOOTLEGS:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Cocteau Twins - Dials - 1&lt;br /&gt;Cocteau Twins - Live in London - 1&lt;br /&gt;GusGus - (Mix @ Respect - DJ Mix from France This Is Normal tour - D&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*own the US version, identical to 4AD, but no 4AD logo&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11386186-113251595478855045?l=ministryofnoise.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ministryofnoise.blogspot.com/feeds/113251595478855045/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11386186&amp;postID=113251595478855045' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/113251595478855045'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/113251595478855045'/><link rel='alternate' type='text/html' href='http://ministryofnoise.blogspot.com/2005/11/4ad.html' title='4AD'/><author><name>GHOSTLIFE</name><uri>http://www.blogger.com/profile/16444472679352809989</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://img.photobucket.com/albums/v450/neonair/backbay.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11386186.post-111058785417532928</id><published>2005-03-11T16:37:00.000-08:00</published><updated>2005-07-31T15:14:57.770-07:00</updated><title type='text'>Albums to Kill for from 2004</title><content type='html'>&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;50 FOOT WAVE : 50 Foot Wave&lt;/span&gt;&lt;/span&gt; (Throwing Music USA/4AD Worldwide)&lt;br /&gt;"Listening to the first blistering 50 Foot Wave songs, it's clear:&lt;br /&gt;this is still war, but now she's winning.  The music created by 50&lt;br /&gt;Foot Wave is propelled by the racecar engine of Kristin's guitar and&lt;br /&gt;her explosive, feral vocals. Bernard's bass, as always, is a muscle,&lt;br /&gt;undulating through Kristin's wall of sound. Ahlers drumming is&lt;br /&gt;ferocious and unbridled, at once supporting and keeping pace with&lt;br /&gt;Kristin's driving and relentless sound. The trio are tight and&lt;br /&gt;powerful, creating music that is precise, emotional and seemingly on&lt;br /&gt;the edge of control." - Concertedefforts.com&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;RACHEL GOSWELL : Waves are Universal&lt;/span&gt;&lt;/span&gt; (4AD)&lt;br /&gt;"a lush string arrangement, backed with crickets and a summery nature&lt;br /&gt;soundscape, swells in and leads ... to its untimely exit." -&lt;br /&gt;Prefixmag.com&lt;br /&gt;&lt;br /&gt;"A folky haze envelops this collection as it reveals its unwinding&lt;br /&gt;pleasures over repeated listenings, worming its way into your&lt;br /&gt;consciousness with the beauty and seemingly effortless structure of&lt;br /&gt;melody and musical embellishments." - musicomh.com&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;ULRICH SCHNAUSS : A Strangely Isolated Place&lt;/span&gt;&lt;/span&gt; (Domino)&lt;br /&gt;"the instrumental ambience, textures, rhythmic interplay, minimal&lt;br /&gt;drones, and soaring melodies pack enough sound into Isolated that each&lt;br /&gt;moment is bursting with life and vivacity. Furthermore, the album&lt;br /&gt;never looses touch with humanity, as the wall of sound that Schnauss&lt;br /&gt;employs is always so warm and lush that you become enveloped in the&lt;br /&gt;sonic atmosphere and find yourself getting lost in Isolated's&lt;br /&gt;breathtaking layers of sound...Blissful and celebratory, Ulrich&lt;br /&gt;Schnauss has crafted a nearly flawless album that rests as the&lt;br /&gt;soundtrack to the perfect summer." - popmatters.com&lt;br /&gt;&lt;br /&gt;"The beats are precise and the aural layers are as heavy as you'll&lt;br /&gt;find anywhere. As wonderful as his last album was, A Strangely&lt;br /&gt;Isolated Place is a lot more focused and headstrong in its delivery.&lt;br /&gt;This is daydream music at its finest." - tinymixtapes.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;THE KILLERS : Hot Fuss&lt;/span&gt;&lt;/span&gt; (Island)&lt;br /&gt;"The album is dark, like a film noir, with tales of nocturnal dancing&lt;br /&gt;and midnight shows sung atop lashings of black echoey synths and&lt;br /&gt;shadowy guitar fuzz." - musicomh.com&lt;br /&gt;&lt;br /&gt;"A religious affection for Oasis and the by-gone era of 80's&lt;br /&gt;synth-rock combined with an unparalled ear for infectious melodies saw&lt;br /&gt;this Las Vegas quartet stand head and shoulders above any other band&lt;br /&gt;who released an album in the last 12 months." - earmedicine.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;TV ON THE RADIO : Desperate Youth, Blood Thirsty Babes&lt;/span&gt;&lt;/span&gt; (Touch and Go&lt;br /&gt;USA/4AD worldwide)&lt;br /&gt;"TV On The Radio makes music that's rhythmic but not really danceable,&lt;br /&gt;and harmonic without being hooky. The group plays haunted on "Dreams,"&lt;br /&gt;tribal on "King Eternal," and like some kind of skeletal barbershop&lt;br /&gt;quartet on "Ambulance"; by placing those three songs in consecutive&lt;br /&gt;order, it maps out a whole environment of primal community music&lt;br /&gt;updated for the age of the terror alert." - theonionavclub.com&lt;br /&gt;&lt;br /&gt;"Parping sax, dense, bludgeoning industrial bass throbs, and a cracked&lt;br /&gt;sleazy nursery gospel are just the first noises that hit your ears on&lt;br /&gt;the opening seconds of TV On The Radio's shimmering debut.  With the&lt;br /&gt;frisson of technicolour genre clashes, they concoct a tense, dramatic,&lt;br /&gt;soulful post-rock, as Barbershop meets pseudo doo-wop harmonies on the&lt;br /&gt;spiralling spooky-acapella of 'Ambulance', 'Poppy' sounds like a&lt;br /&gt;bastard cross between Peter Gabriel's Biko and The The's Giant, as it&lt;br /&gt;breaks down thrillingly from strident stomp of tribal march to&lt;br /&gt;spiritual vocal and back up again - stronger, stranger and more&lt;br /&gt;soulful than either of the reference points." - musicomh.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;DYKEHOUSE : Midrange&lt;/span&gt;&lt;/span&gt; (Ghostly International)&lt;br /&gt;"Mike Dykehouse's long-awaited Midrange crosses the anthemic guitar&lt;br /&gt;roar of classic shoegazing with New Wave electronic pop and does so,&lt;br /&gt;remarkably, using only an iMac, a Fender guitar, and a cheap&lt;br /&gt;microphone. Midrange steams along on a crest of wailing guitars,&lt;br /&gt;thunderous drums, and breath-laden vocals, and in inimitable Ramones&lt;br /&gt;style, fits fourteen songs into a perfect running time of forty&lt;br /&gt;minutes.  And why "Chain Smoking" isn't atop every radio playlist in&lt;br /&gt;the universe is simply baffling, as its four minutes of pop heaven put&lt;br /&gt;to shame anything else heard in these parts in ages." - junkmedia.org&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;MATTHEW DEAR : Leave Luck to Heaven&lt;/span&gt;&lt;/span&gt; (Spectral/Ghostly International)&lt;br /&gt;"The clicky beats, funky hooks, bass stabs and spooky atmospherics&lt;br /&gt;have been used before, but never with a classy pop sensibility&lt;br /&gt;bringing it all together, and never with his sleazy vocals. This is&lt;br /&gt;the dark glamour queen to Electroclash's cheap whore. Prepare to be&lt;br /&gt;seduced." - BBC.co.uk&lt;br /&gt;"'leave luck…' is an artist album in every sense. With sleek minimal&lt;br /&gt;techno lines, a pop sensibility and an ambient soul, it glides&lt;br /&gt;effortlessly from start to finish, with enough charisma to open the&lt;br /&gt;most closed "don't like techno" minds." - boomkat.com&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;LUSINE : Serial Hodgepodge&lt;/span&gt;&lt;/span&gt; (Ghostly International)&lt;br /&gt;"(Serial Hodgepodge is) rife with kicking beats set against lush&lt;br /&gt;melodies and deep grooves. The album's more complex elements will&lt;br /&gt;satisfy a lot of the nerds out there, but most tracks are permeated by&lt;br /&gt;a definite edge, a funky dirty warehouse vibe that kicks you in the&lt;br /&gt;face, softly.  Throughout, Lusine can get pretty heavy and&lt;br /&gt;in-your-face with the beats, but he keeps it balanced with deep&lt;br /&gt;atmospherics and delicate instrumentation.  It's nice to hear&lt;br /&gt;something refreshing from the world of IDM madness where it can&lt;br /&gt;sometimes get mundane and overly complex. I would expect nothing less&lt;br /&gt;from Ghostly International." - welovemusique.com&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;DAVID CROSS : It's Not Funny&lt;/span&gt;&lt;/span&gt; (Sup Pop)&lt;br /&gt;"No one deserving is spared by David Cross's stand-up comedy&lt;br /&gt;flame-thrower in It's Not Funny; he's the enemy of hypocrisy and a&lt;br /&gt;voice for all who lament the absence of truth in the world. The&lt;br /&gt;co-star of HBO's 'Mr. Show' and Fox's 'Arrested Development',&lt;br /&gt;left-wing hero Cross casts a sweeping net over the course of the 70+&lt;br /&gt;minute set, recorded live in Washington, D.C. earlier this year. He&lt;br /&gt;has an endless amount of ire for Republicans ("they've got some&lt;br /&gt;awesome racists"), and left-wing conspiracy theorists ("it's called&lt;br /&gt;coincidence, you hippy freak"). The thorniest of barbs are reserved&lt;br /&gt;for the Bush administration and their spreading of perpetual fear in&lt;br /&gt;post-9/11 America. On the war on terrorism: "If the terrorists hated&lt;br /&gt;freedom, then the Netherlands would be fuckin' dust." On Bush's&lt;br /&gt;proposal to put a man on the moon: "Let's put a man in an apartment,&lt;br /&gt;how about that?".  And America's favorite, 'The Simple Life"? "I saw&lt;br /&gt;the ad for electric scissors during an episode of The Simple Life,&lt;br /&gt;which is a show that glorifies these two rich, giggling cunts who have&lt;br /&gt;no respect for anybody -- just vile people, awful human beings who get&lt;br /&gt;away with everything because they're rich...and then the blonde one'll&lt;br /&gt;blow you, apparently. But here's the thing: I saw that ad for electric&lt;br /&gt;scissors during one of the highest-rated shows in America, about these&lt;br /&gt;two rich fuckin' mean pieces of shit, and I vowed that I'm gonna&lt;br /&gt;retain that image every time I hear President Bush say 'The terrorists&lt;br /&gt;hate our freedom.' You know what? I hate our freedom. Me. Little old&lt;br /&gt;me, I'm an American (and) I fuckin' hate it. We are assholes, man."&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;BJORK : Medulla&lt;/span&gt;&lt;/span&gt; (Elektra)&lt;br /&gt;"Where 2001's Vespertine was erotic, Medulla is reflexive and&lt;br /&gt;awestruck. A mingling of postpartum jealousy and joy. The&lt;br /&gt;child-welcoming "Who Is It" nods to "world music" warmth with its&lt;br /&gt;throat-sung yelps and Rhythm of the Saints bounce just before the cool&lt;br /&gt;"Submarine," penned with Robert Wyatt, retreats into chants that sound&lt;br /&gt;like the Beach Boys caught in the magnetic field of Solaris. The&lt;br /&gt;sensual ghost of Vespertine slides through an open window in the&lt;br /&gt;beautiful "Desired Constellation," which finds Björk pondering cosmic&lt;br /&gt;justice over electro-cricket static. "Stars," she croons ruefully, "I&lt;br /&gt;throw them like dice." - villagevoice.com&lt;br /&gt;&lt;br /&gt;"In the realm of pop music (which Björk still creates within even if&lt;br /&gt;her brand of it seems outlandishly left-field) we are often left arms&lt;br /&gt;crossed, waiting for the chorus to come and impress us enough to tap a&lt;br /&gt;foot, or wiggle a hip. In that capacity it is often easy to forget&lt;br /&gt;that the role of the artist is to, at best, push us crashing into&lt;br /&gt;realms we'd overlooked or never imagined, and to offer us a glimpse&lt;br /&gt;into an imagination that we, as unique individuals, would fail to&lt;br /&gt;possess ourselves. In this respect, Björk has achieved this feat&lt;br /&gt;brilliantly. Sometimes it's an uneasy trip and one that might not be&lt;br /&gt;undertaken again in the not so distant future. But the important thing&lt;br /&gt;is the journey itself, allowing one to step inside something entirely&lt;br /&gt;foreign, believing even for an instant in another's completely native&lt;br /&gt;actuality. You may not want to stay there long, but you'll find&lt;br /&gt;yourself experiencing things differently for ever after.  It is,&lt;br /&gt;without a doubt, Björk at her most adventurous, an achievement of no&lt;br /&gt;small order (simply getting it released at all on a major label is&lt;br /&gt;astounding), and one that will frustrate as many fans as it enchants."&lt;br /&gt;- popmatters.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;!!! : Louden Up Now&lt;/span&gt;&lt;/span&gt; (Touch and Go USA/Warp Records UK)&lt;br /&gt;"its ten tracks are filled with fervor, hooks, passion, and power. And&lt;br /&gt;unlike many of their peers, !!! have politics. Angry, righteous&lt;br /&gt;politics. Antiwar, anti-Giuliani, anti-Bush and Blair, and proud of&lt;br /&gt;it. It is like a blast of fresh retro air to have a band not just&lt;br /&gt;updating the sound but carrying over similar ideals as well. That&lt;br /&gt;being said, this is still a dance album. All the grooves are designed&lt;br /&gt;to get you moving; the funky basslines, stuttering drums, flashing&lt;br /&gt;percussion, and chattering guitars combine to be solid indie&lt;br /&gt;dancefloor material. The vocals don't get in the way of the groove;&lt;br /&gt;even at their spikiest, they are built into the overall sound.&lt;br /&gt;Louden Up Now is a modern-day agit-pop indie dance-rock classic. If&lt;br /&gt;that is too narrow a slot to jam it into, then call it a modern-day&lt;br /&gt;indie rock classic. Or just a classic." - allmusic.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;THE POLYPHONIC SPREE : Together We're Heavy&lt;/span&gt;&lt;/span&gt; (Hollywood Records)&lt;br /&gt;"If you like your rock rough and ready or moody and introspective, the&lt;br /&gt;'Spree aren't going to be your cup of tea. But if you're looking for&lt;br /&gt;something refreshingly new and different, willing to throw your&lt;br /&gt;troubles away for a few minutes and embrace a bunch of happy Americans&lt;br /&gt;in robes, then your musical road to Damascus may start right here." -&lt;br /&gt;musicomh.com&lt;br /&gt;&lt;br /&gt;"Ask a preschooler to draw a picture of a nice day and what would you&lt;br /&gt;get?  Likely a vibrant, Crayola-adorned image with flawless green&lt;br /&gt;grass, powder-blue sky, cotton-white clouds and an unnaturally yellow&lt;br /&gt;sun. The sophomore record by The Polyphonic Spree is a lot like that:&lt;br /&gt;innocent, colourful and perfect happiness unashamedly strummed, picked&lt;br /&gt;and thumped by some two-dozen or so robe-clad players who try to&lt;br /&gt;recapture the great days of their youth by consuming lots of&lt;br /&gt;sugar-coated cereal.  Together We're Heavy, is filled with un-ironic&lt;br /&gt;rays of prog-orch-pop sunshine.  But like the perma-smiles of&lt;br /&gt;Pleasantville or the barren utopia of the Teletubbies, the picture&lt;br /&gt;perfect world of the Spree seems a bit deluded and a bit creepy, a&lt;br /&gt;feeling that's compounded by their cult-like expression of collective&lt;br /&gt;joy." - soulshine.ca&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;HOPE OF THE STATES : The Lost Riots&lt;/span&gt;&lt;/span&gt; (Sony)&lt;br /&gt;"It's a glorious, swirling state of the union address told with soul&lt;br /&gt;and fierce intent.  When the instrumental coda kicks in on 'Black&lt;br /&gt;Dollar Bills', you realise you're listening to this generation's 'I Am&lt;br /&gt;The Resurrection'. Expansive, cinematic and full of majesty, it's&lt;br /&gt;breathtaking." - NME.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;36 CRAZYFISTS : A Snow-Capped Romance&lt;/span&gt;&lt;/span&gt; (Roadrunner)&lt;br /&gt;"Rather than differ tremendously from the style this Anchorage, Alaska&lt;br /&gt;four-piece brought to surface on their debut album (2001's 'Bitterness&lt;br /&gt;The Star'), 'A Snow Capped Romance' trades evolution for musical&lt;br /&gt;refinement. When the guitars come in they kick strong; when the&lt;br /&gt;melodies hit, they soar and swoop as if aided by a sense of dynamic&lt;br /&gt;not yet felt by the band.  The songs matter more than anything as far&lt;br /&gt;as 36 Crazyfists is concerned, and that's why they've cut an album&lt;br /&gt;with a sense of individuality, aggressive beauty, and pure dynamics.&lt;br /&gt;There are little bits and bobs here musically; from EMO to metal,&lt;br /&gt;catching a sniff of hardcore on the way. It's an intriguing and&lt;br /&gt;satisfying amalgamation of modern styles, and the record's gutsy mix&lt;br /&gt;takes full advantage of the energy and vibrancy spawned from all the&lt;br /&gt;songs." - metaluk.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;COURTNEY LOVE : America's Sweetheart&lt;/span&gt;&lt;/span&gt; (Virgin Records)&lt;br /&gt;"Although you could never call Courtney Love's atonal rasp beautiful,&lt;br /&gt;it's never less than compelling. Songs which are like sandpaper on the&lt;br /&gt;ears first time round  reveal a certain scary beauty, while the&lt;br /&gt;blowsier side of Courtney's repertoire becomes more convincing.&lt;br /&gt;Compared to her soft rock icon, Stevie Nicks of Fleetwood Mac,&lt;br /&gt;Courtney hollers like a workman, but there's something heroic about&lt;br /&gt;her inevitably doomed attempts to emulate her.  This being Courtney,&lt;br /&gt;there's also an emotional rawness to 'America's Sweetheart' which&lt;br /&gt;you'll either love or be repelled by. Though the production covers&lt;br /&gt;everything in a superficial gloss, when Courtney sings about how she's&lt;br /&gt;got pills for every eventuality, or that "all the drugs in the world"&lt;br /&gt;won't shut her up, you know she's singing from bitter experience." -&lt;br /&gt;NME.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;SQUAREPUSHER : Ultravisitor&lt;/span&gt;&lt;/span&gt; (Warp Records)&lt;br /&gt;" Tom Jenkinson, a.k.a. Squarepusher, is a musical genius.  He can&lt;br /&gt;play the bass like no other, has a mastery of the drums, and has a&lt;br /&gt;grasp on computer sequencing that few possess. His skills and&lt;br /&gt;knowledge are so intense that he approaches madness.  Many tracks&lt;br /&gt;combine heavy drum 'n' bass or jungle breaks with Jenkinson's frantic&lt;br /&gt;live bass, which draws heavily on his jazz background and fuses&lt;br /&gt;together pre-programmed electronica and free-flowing live jazz. On&lt;br /&gt;most tracks, the drum brakes and jazzy bass lines get layered between&lt;br /&gt;computer-sequenced loops and samples and even crowd noises, producing&lt;br /&gt;an intense catharsis and a schizophrenic feel. On Ultravisitor,&lt;br /&gt;Squarepusher has used his musical genius and madman mind state to&lt;br /&gt;create a record that is utterly intense, terrifying and beautiful." -&lt;br /&gt;prefixmag.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11386186-111058785417532928?l=ministryofnoise.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ministryofnoise.blogspot.com/feeds/111058785417532928/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11386186&amp;postID=111058785417532928' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/111058785417532928'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/111058785417532928'/><link rel='alternate' type='text/html' href='http://ministryofnoise.blogspot.com/2005/03/albums-to-kill-for-from-2004.html' title='Albums to Kill for from 2004'/><author><name>GHOSTLIFE</name><uri>http://www.blogger.com/profile/16444472679352809989</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://img.photobucket.com/albums/v450/neonair/backbay.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11386186.post-111058774477554027</id><published>2005-03-11T16:35:00.000-08:00</published><updated>2005-07-31T15:07:26.116-07:00</updated><title type='text'>Albums to Kill for from 2003</title><content type='html'>&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;spiritualized  - amazing grace&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;still at their best when crooning the drugged-out, heart-rending torch&lt;br /&gt;songs,  this is one of his most concise albums ever, and yet another&lt;br /&gt;quality release from a prolific artist. - almostcool.org&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;martina topley-bird  - quixotic&lt;/span&gt;&lt;/span&gt; (former singer for tricky on&lt;br /&gt;maxinquaye, pre-millenium tension and angels with dirty faces)&lt;br /&gt;It's a phenomenally sensual album, full of the thick atmospheres,&lt;br /&gt;moody swaggers and dark undercurrents that she and Tricky were once&lt;br /&gt;synonymous with, but here they're married to equally mesmerising&lt;br /&gt;songs. Hence "Lullaby" and "Days of a Gun" are as memorable for their&lt;br /&gt;beautiful melodies as they are for their respective backing tracks of&lt;br /&gt;drowsy porch light blues and caressing synths. - amazon UK&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;laika - lost in space vol 1 (1993-2002)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Laika skipped through the UK charts during the '90s on a fertile&lt;br /&gt;mixture of post-New Order synth heaviness, lush ambient harmonies and&lt;br /&gt;dastardly complex jazz rhythms, creating many memorable singles and&lt;br /&gt;three top-notch albums. The selections on Lost In Space, however,&lt;br /&gt;illustrate exactly why the group glanced off the American pop bubble:&lt;br /&gt;They're too clever. - URB magazine&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;mojave 3 - spoon and rafter&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;The group's heavy atmospherics--echoed guitar tones, distant keyboard&lt;br /&gt;lines--create epic grandeur througout. "Battle Of Broken Hearts" is a&lt;br /&gt;six-minute-plus orchestral tug of war that resolves into the&lt;br /&gt;relatively direct piano balad "Hard To Miss You." "Writing To St.&lt;br /&gt;Peter" recalls a lonely Western vibe via satellite transmission&lt;br /&gt;(Arizona to London, perhaps), with Halstead's remorseful voice&lt;br /&gt;sounding distracted, like someone whispering deep secrets to the&lt;br /&gt;insecurity of a cellphone, proving that no matter the technology, the&lt;br /&gt;emotions are still the same. - CMJ new music monthly&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;outkast - the love below&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;(from 2 disc album &lt;span style="font-style:italic;"&gt;'speakerboxxx/the love below'&lt;/span&gt;)&lt;br /&gt;The record contains charged electro-funk, sex romps a la mid-'80s&lt;br /&gt;Prince, breezy acoustic ballads, haunted-house themes and cabaret&lt;br /&gt;experiments. Lyrically, the whole album is predictably love-themed,&lt;br /&gt;but the precocious Andre 3000 stretches within his boundaries, from&lt;br /&gt;the explicitly erotic "Spread" to the sentimental "Take Off Your Cool"&lt;br /&gt;(with Norah Jones) to the biting send-off "Roses." He also gets&lt;br /&gt;cartoonish on the electro-vamp "Dracula's Wedding" and the funked-up&lt;br /&gt;"Happy Valentine's Day," on which he plays the part of a modern-day&lt;br /&gt;gangsta Cupid, aiming his pink gun to blast playas off the street and&lt;br /&gt;onto the altar.  - nudeasthenews.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;m83 - dead cities red seas and lost ghosts&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;For fifty-seven glorious minutes, an impossibly intricate tapestry of&lt;br /&gt;buzzing techno synthesizers, distorted electric guitars, cheesy drum&lt;br /&gt;machines, and subdued vocals generate a sense of bodily movement&lt;br /&gt;through a landscape of beauty, disappointment, glory, and decrepitude.&lt;br /&gt;Dead Cities is an album that not only envelops you, but affords you&lt;br /&gt;room to explore its vast expanses of beautifully constructed&lt;br /&gt;sound.-pitchforkmedia.com&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;broker/dealer - initial public offering&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;It's not surprising the Germans are saying jawohl to Broker/Dealer's&lt;br /&gt;mildly euphoric productions: Its beautifully simple melodies and&lt;br /&gt;aquatic, dubby atmospheres push pleasant buttons to those who've&lt;br /&gt;grooved and chilled to the aforementioned Kompakt and the seminal&lt;br /&gt;Chain Reaction's releases. Combining elegantly frothy textures with&lt;br /&gt;deep, lubricious bass lines and irrepressible 4/4 tech-house rhythms,&lt;br /&gt;Broker/Dealer makes tracks that are as inviting as beanbag chairs,&lt;br /&gt;but, paradoxically, inspire dancing, too. - east bay express/oakland&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;massive attack - 100th window&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;it's dark, broody, intense and, at times, quite uncomfortable, with&lt;br /&gt;the odd shimmering ray of light allowed to peep through Del Naja's&lt;br /&gt;murky nocturnal soundscapes. -amazon UK&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;placebo - sleeping with ghosts&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;The new disc continues to alternate frenzied guitar charges with&lt;br /&gt;spacey ballads and danceable pop, all derived from the angst and&lt;br /&gt;adventurousness of The Smashing Pumpkins, Rush, and David Bowie -&lt;br /&gt;theonionavclub.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;span style="font-style:italic;"&gt;throwing muses - throwing muses&lt;/span&gt; (2003)&lt;/span&gt;&lt;br /&gt;Not quite grainy like most neo-garage acts, the songs here seem dirty&lt;br /&gt;and dense in a way that harkens back to Throwing Muses' punk&lt;br /&gt;inception.  The tracks are meaty and gristly, rumbling in the low buzz&lt;br /&gt;of distortion that has always been the Muses' home, but with minimal&lt;br /&gt;high and ethereal effects sometimes found on their previous studio&lt;br /&gt;releases.  Essentially, it sounds like a slightly-too-perfect live&lt;br /&gt;recording. - popmatters.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11386186-111058774477554027?l=ministryofnoise.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ministryofnoise.blogspot.com/feeds/111058774477554027/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11386186&amp;postID=111058774477554027' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/111058774477554027'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11386186/posts/default/111058774477554027'/><link rel='alternate' type='text/html' href='http://ministryofnoise.blogspot.com/2005/03/albums-to-kill-for-from-2003.html' title='Albums to Kill for from 2003'/><author><name>GHOSTLIFE</name><uri>http://www.blogger.com/profile/16444472679352809989</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://img.photobucket.com/albums/v450/neonair/backbay.jpg'/></author><thr:total>0</thr:total></entry></feed>
